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"Over the Rainbow" (Arlen/Harburg) exemplifies the 20th-century popular 32-bar song. [1]The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century.
The 32-bar AABA form is typical of popular songs of the time. [3] The "A" section uses conventional chord progressions including ii–V–I turnarounds in the home key of D flat, however the bridge is highly unusual in its tonal center shifts.
A popular recording of the song was released in 1937 by Teddy Wilson for Brunswick Records, [1] ... It follows a 32-bar AABA form. [4] Other recordings
Song structure is the arrangement of a song, [1] and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs.Common piece-level musical forms for vocal music include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues.
Its verse is rarely sung in the 2020s, but the chorus has become a favorite with many jazz musicians. The chorus is a 36-measure AA 2 BA 3 form with two twists on the usual 32-bar AABA song-form: A 2 transposes the initial A section down a fourth, while the final A 3 section adds an extra four bars.
Rhythm changes is a common 32-bar jazz chord progression derived from George Gershwin's "I Got Rhythm". The progression is in AABA form , with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 –II 7 ...
In a multi-section song form, such as AB or AABA, the first section. In 32-bar AABA form, the first A section is the first eight bars, and it contains the main melody. accordion. A free-reed instrument with two keyboards played with the hands, in which the sound is produced by pumping a bellows.
Ignoring the seldom recorded verse, "Moonglow" is a 32-bar tune in the form of AABA. "Moonglow" appears in jazz fake books and lead sheets in the key of G, though it is also thought to originally be in the key of C. [1]