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The quarter tone scale may be primarily a theoretical construct in Arabic music. The quarter tone gives musicians a "conceptual map" they can use to discuss and compare intervals by number of quarter tones, and this may be one of the reasons it accompanies a renewed interest in theory, with instruction in music theory a mainstream requirement ...
Dialogue, for two pianos tuned a quarter-tone apart, eight hands, W.o.O. (1959) Dithyrambe, for two pianos tuned a quarter-tone apart, Op. 12 (1923–1924) Études sur les mouvements rotatoires, for two pianos tuned a quarter-tone apart, eight hands, Op. 45a.; for chamber orchestra, Op. 45c (1961)
A septimal quarter tone (in music) is an interval with the ratio of 36:35, which is the difference between the septimal minor third and the Just minor third, or about 48.77 cents wide. The name derives from the interval being the 7-limit approximation of a quarter tone .
In music, the major fourth and minor fifth, also known as the paramajor fourth and paraminor fifth, are intervals from the quarter-tone scale, named by Ivan Wyschnegradsky to describe the tones surrounding the tritone (F ♯ /G ♭) found in the more familiar twelve-tone scale, [1] as shown in the table below:
The first volume, intended for beginners, was published in 1909 as Clarke's Elementary Studies for Cornet.It includes the author's discussions of the positioning of the mouthpiece on the lips, tone, breathing, musical terms, 30 graded lessons, and 116 exercises.
In Germany, Austria, and Czechoslovakia in the 1910s and 1920s the usual term continued to be Viertelton-Musik (quarter tone music [36] [page needed]), and the type of intervallic structure found in such music was called the Vierteltonsystem, [37] [38] which was (in the mentioned region) regarded as the main term for referring to music with ...
A quarter tone clarinet is an experimental clarinet designed to play music using quarter tone intervals. Around 1900, Dr. Richard H. Stein, a Berlin musicologist made the first quarter-tone clarinet, which was soon abandoned. [1] [2] Using special fingerings, quarter tones may be produced by a skilled player on a conventional clarinet. [3]
The intermediate neutral second, called the lesser undecimal neutral second play ⓘ, has a ratio between the higher-frequency tone to the lower-frequency tone of 12:11 and is about 150.64 cents wide, while the larger one, the greater undecimal neutral second play ⓘ, has a ratio of 11:10 between the two tones and is about 165.00 cents wide.