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A pair of ghungroos Kathak dancer Namrata Rai performing with 400 Ghungroos. A ghungroo (Hindi: घुँघरू, Urdu: گھنگرو), also known as ghunghroo or ghunghru or ghungur (in Assamese and Bengali) or ghungura (in Odia) or Chilanka or Salangai or Gejje (in Malayalam, Tamil and Kannada respectively), is one of many small metallic bells strung together to form ghungroos, a musical ...
Bells have symbolic meaning in Hinduism. The curved body of the bell represents Ananta. The clapper or tongue of the bell represents Saraswati, who is the goddess of wisdom and knowledge. The handle of the bell represents Prana Shakti – vital power and is symbolically linked to Hanuman, Garuda, Nandi (bull) or Sudarshana Chakra. [6]
The book is named "The call of the Marching Bell" [Bang-e-Dara]. It is a bell that people used to ring in old times to awaken the travelers that now it is time to move on to their next destination, this book has the same purpose to awaken the Muslims of Hindustan and remind them that this is time for them to move on. This poem helped the ...
A bell may also be used for calling or sending back spirits. [16] Shamans will also imitate the sounds of birds and animals in order to call spirits. [17] Sami shamanic singing, called Joik, is also about summoning, for example, animal spirits, rather than singing about them or representing them: the spirit is experienced as being present. [18 ...
Lab Pe Aati Hai Dua" (Urdu: لب پہ آتی ہے دعا; also known as "Bachche Ki Dua"), is a duʿā or prayer, in Urdu verse authored by Muhammad Iqbal in 1902. [1] The dua is recited in morning school assemblies almost universally in Pakistan , [ 2 ] [ 3 ] and in Urdu-medium schools in India .
The nuqta, and the phonological distinction it represents, is sometimes ignored in practice; e.g., क़िला qilā being simply spelled as किला kilā.In the text Dialect Accent Features for Establishing Speaker Identity, Manisha Kulshreshtha and Ramkumar Mathur write, "A few sounds, borrowed from the other languages like Persian and Arabic, are written with a dot (bindu or nuqtā).
The meaning of spirituality has developed and expanded over time, and various meanings can be found alongside each other. [1] [2] [3] [note 1] Traditionally, spirituality is referred to a religious process of re-formation which "aims to recover the original shape of man", [note 2] oriented at "the image of God" [4] [5] as exemplified by the founders and sacred texts of the religions of the world.
The Urdu ghazal makes use of a store of common characters, settings, images, and metaphors that inform both readers and poets of how to navigate the aforementioned ghazal universe. [33] These tropes have been cultivated for hundreds of years and are meant to deeply resonate with listeners of the ghazal, invoking their expectations of meaning. [33]