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Der Landser (literally private, common soldier) was a German pulp magazine published by Pabel-Moewig and featuring mostly stories in World War II settings. The magazine was founded in 1954 [1] by writer and former Luftwaffe officer Bertold K. Jochim [] (1921–2002), who worked as its editor-in-chief until 1999.
The Iron Dream is a metafictional 1972 alternate history novel by American author Norman Spinrad.The book has a nested narrative that tells a story within a story.On the surface, the novel presents a post-apocalyptic adventure tale entitled Lord of the Swastika, written by an alternate-history Adolf Hitler shortly before his death in 1953.
On 1 May 1920, Diebitsch joined the Nazi Party (NSDAP). His membership number was 1,436. From 1920 to 1923 he was a member of the Freikorps (Free Corps). Two years after the Beer Hall Putsch Diebitsch went on to complete his formal art training in 1925, followed by several years of living and working in Munich as a painter and graphic artist.
This category collects cover images that are scans, in whole or in ... Media in category "Pulp magazine covers" The following 5 files are in this category, out of 5 ...
His first was a cover for War Stories. At around this time he got engaged to Lorna Jones, but she contracted tuberculosis and the wedding had to be delayed until after two years of treatment. They were married on Jun 21, 1930. [1] During the 1930s Blakeslee was creating covers for most of the pulp magazines that focused on aviation.
Signal was an illustrated photo journal and army propaganda tool, [1] meant specifically for audiences in neutral, allied, and occupied countries. A German edition was distributed in Switzerland, Axis countries, and German-occupied Europe, but Signal was never distributed in Germany proper.
Norman Saunders' cover for Marvel Science Stories (April–May 1939) He left Fawcett to become a freelance pulp artist, moved to New York City and studied under Harvey Dunn at the Grand Central School of Art. He painted for all the major publishers and was known for his fast-action scenes, his beautiful women and his ability to meet a deadline.
Jean Metzinger, 1913, En Canot (Im Boot), oil on canvas, 146 x 114 cm, exhibited at Moderni Umeni, S.V.U. Mánes, Prague, 1914, acquired in 1916 by Georg Muche at the Galerie Der Sturm, confiscated by the Nazis c. 1936 from the Kronprinzenpalais, Nationalgalerie, Berlin, displayed at the Degenerate Art Exhibition in Munich, and missing ever since.