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In the 18th century, engageantes took the form of ruffles or flounces of linen, cotton, or lace, tacked to the elbow-length sleeves then fashionable. [1] In the mid-19th century, the term engageante was used for separate false sleeves, usually with fullness gathered tight at the wrist, worn under the open bell-shaped "pagoda" sleeves of day ...
Her blackwork sleeves have sheer linen oversleeves, and she wears wired veil with bands of gold lace, 1585–90. Infanta Catalina Micaela of Spain wears an entirely black gown with lace collar and cuffs, with white inner sleeves trimmed with gold embroidery or applied braid. Her jewellery includes a double string of pearls, a necklace, worked ...
Portrait of the family of Sir Thomas More shows English fashions around 1528.. Fashion in the period 1500–1550 in Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers (one reaction to the cooling temperatures of the Little Ice Age, especially in Northern Europe and the British Isles).
In traditional designs, the blouse neckline is at the base of the throat. Other popular necklines are V-shaped, balconette or heart-shaped. Materials most often used are cambric, linen or lace. The colour is usually white. Short puff sleeves are typical, although narrow sleeves (short or long) are also common. [5] [19] [22] [23]
The popular style of the era was long gowns of soft fabrics that were cut with a pronounced décolletage and very wide sleeves, or a décolleté knee-length gown that was worn over a skirt. [31] Chinese clothes from the period had a profound influence on the Japanese kimono. [32]
In the 1830s, men wore dark coats, light trousers, and dark cravats for daywear. Women's sleeves reached their ultimate width in the gigot sleeve. Here, the boys (on holiday in the mountains) wear buff-colored belted knee-length tunics with yokes and full sleeves over trousers. The girls wear white dresses with colored aprons.
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