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The Vagina Monologues is an episodic play written in 1996 by Eve Ensler which developed and premiered at HERE Arts Center, Off-Off-Broadway in New York and was followed by an Off-Broadway run at the Westside Theatre.
Once she decided to adapt Love, Loss, and What I Wore into a play, she and her sister emailed 100 women for stories. [4] The show's monologues were sourced largely from Beckerman's book. [5] The Ephrons wove together a collection of stories adapted from the book with recollections of friends, including Rosie O'Donnell.
Jesse Green, chief theatre critic for The New York Times, gave the production a mixed review, stating, "As a farce, 'POTUS' still plays by old and almost definitionally male rules; farce is built on tropes of domination and violence. On the other hand, and more happily, 'POTUS' lets us experience the double-bind of exceptional women unmediated ...
Talking With... is a 1982 play by Jane Martin, published by Samuel French Incorporated. [1] The play is composed of eleven ten-minute monologues, each featuring a different woman who talks about her life. [2]
Birthday Candles is a play by Noah Haidle.It was originally scheduled to open on April 2, 2020, but was delayed by the COVID-19 pandemic. [1] It subsequently ran at the American Airlines Theatre from March 18 to May 29, 2022 (with opening night on April 10), starring Debra Messing as Ernestine Ashworth and directed by Messing's Tisch School of the Arts classmate Vivienne Benesch.
Get ready, theater fans, because spring is just around the corner — and Broadway is bursting with new musicals, plays and revivals. While the fall only had eight shows opening on the Great ...
The play consists of four parts, with a monologue making up each part. The monologues are given, in order, by Hardy himself; his wife, Grace; his manager, Teddy, and finally Hardy again. [4] The monologues tell the story of Hardy, including an incident in a Welsh village in which he cures ten people. Teddy's monologue reveals that Grace dies by ...
The play, which draws its title from the West film quip "I made myself platinum, but I was born a dirty blonde", [1] tells the story of Jo, an office temp and aspiring actress, and Charlie, who works in the New York Public Library's film archives, both lonely and obsessive West fans who meet at her grave and form a unique relationship as they ...