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Sound Emporium is a music recording studio located at 3100 Belmont Boulevard in Nashville, Tennessee. Originally founded by Jack Clement in 1969 as the Jack Clement Recording Studios, the studio changed ownership and was renamed Sound Emporium in 1979.
[8] At this time, with nine studios, Blackbird had become the largest recording facility in Nashville. [4] The studio is known for its collection of vintage recording gear, including one of the most extensive collection of vintage and new microphones, [10] [11] as well as its exceptional live rooms, and a variety of echo chambers. [12]
RCA Studio B was a music recording studio in Nashville, Tennessee established in 1957 by Steve Sholes and Chet Atkins for RCA Victor. Originally known simply as the RCA Victor Studio , in 1965 the studio was designated as Studio B after RCA Victor built the newer, larger Studio A in an adjacent building.
Woodland Studios is a music recording studio located at 1011 Woodland Street in East Nashville, Tennessee originally founded in 1967. The studios have been the site of numerous notable recordings by artists including Nitty Gritty Dirt Band, Jimmy Buffett, Billy "Crash" Craddock, Kansas, Neil Young, Charlie Daniels Band, Tammy Wynette, George Strait, Indigo Girls, and others.
With its live room measuring 75 x 45 feet with 25 foot high ceiling, [4] it was the largest studio room in Nashville when it opened. [5] [6] The studio was based on the ideas of Chet Atkins, Owen Bradley and Harold Bradley. [7] Studios A and B were collectively referred to as the RCA Victor Nashville Sound Studios. [7]
Built in 1960, Starday Sound once was one of the city's busiest studios, with artists including James Brown, Dottie West and Jim Reeves recording there. [3]When the studio opened as Starday Sound in May 1960, it was Nashville's third commercial recording studio, after RCA Studios and Bradley Film and Recording Studio. [4]
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The subsequent demand for Castle Recording's services was too much for its owners to accommodate in WSM's studios after hours, and in 1947, with a $1,000 loan from Third National Bank to convert a banquet room on the second floor of the Hotel Tulane at 206 8th Avenue North into a recording studio equipped with their mixing console, an Ampex Model 200 tape recorder, and a Scully lathe, [6 ...