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Aristotle says rhetoric is the counterpart (antistrophe) of dialectic. [1]: I.1.1–2 He explains the similarities between the two but fails to comment on the differences. Here he introduces the term enthymeme. [1]: I.1.3 Chapter Two Aristotle defines rhetoric as the ability in a particular case to see the available means of persuasion.
For Plato and Aristotle, dialectic involves persuasion, so when Aristotle says that rhetoric is the antistrophe of dialectic, he means that rhetoric as he uses the term has a domain or scope of application that is parallel to, but different from, the domain or scope of application of dialectic. Claude Pavur explains that "[t]he Greek prefix ...
The Organon (Ancient Greek: Ὄργανον, meaning "instrument, tool, organ") is the standard collection of Aristotle's six works on logical analysis and dialectic. The name Organon was given by Aristotle's followers, the Peripatetics , who maintained against the Stoics that Logic was "an instrument" of Philosophy.
In classical rhetoric, the Common Topics (koinoi topoi)were a short list of four traditional topics regarded as suitable to structure an argument. [citation needed] In Aristotle's Rhetoric, the common topics are discussed in Book II. [1] They are generally considered to be heuristic. [1]
The modes of persuasion, modes of appeal or rhetorical appeals (Greek: pisteis) are strategies of rhetoric that classify a speaker's or writer's appeal to their audience. These include ethos, pathos, and logos, all three of which appear in Aristotle's Rhetoric. [1]
The works of Aristotle, sometimes referred to by modern scholars with the Latin phrase Corpus Aristotelicum, is the collection of Aristotle's works that have survived from antiquity. According to a distinction that originates with Aristotle himself, his writings are divisible into two groups: the " exoteric " and the " esoteric ". [ 1 ]
Literary critics have used the concepts of genres to classify speeches and works of literature since the time of Aristotle, who distinguished three rhetorical genres: the legal or judicial, the deliberative or political, and the ceremonial or epideictic. Since then, rhetorical approaches to genre and understanding of the term "genre" have ...
Neo-Aristotelianism is a view of literature and rhetorical criticism propagated by the Chicago School [1] — Ronald S. Crane, Elder Olson, Richard McKeon, Wayne Booth, and others — which means: "A view of literature and criticism which takes a pluralistic attitude toward the history of literature and seeks to view literary works and critical ...