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Ievan polkka" (Finnish for "Ieva's Polka") is a Finnish song with lyrics printed in 1928 [1] and written by Eino Kettunen to a traditional Finnish polka tune. The song is sung in an Eastern Savonian dialect spoken in North Karelia .
A virtual piano is an application (software) designed to simulate playing a piano on a computer. The virtual piano is played using a keyboard and/or mouse and typically comes with many features found on a digital piano. Virtual player piano software can simultaneously play MIDI / score music files, highlight the piano keys corresponding to the ...
Säkkijärven polkka (Finnish pronunciation: [ˈsækːiˌjærʋen ˈpolkːɑ]; "the Säkkijärvi polka") is a well-known folk tune from Finland that is very popular with Finnish accordionists. It was popularized by Viljo "Vili" Vesterinen (1907–1961).
His music is a combination of hard house and progressive trance. The Finnish Hard Dance scene gained some following, primarily due to Helsinki-based DJ Proteus winning the title of Best DJ at The Hard Dance Awards in 2004 and 2005. Finland has a popular and internationally recognised Freeform hardcore scene, with the FINRG label enjoying ...
The polka also migrated to the Nordic countries where it is known by a variety of names in Denmark (polka, reinlænderpolka, galop, hopsa, hamborger), Finland (polkka), Iceland, Norway (galopp, hamborgar, hopsa/hopsar, parisarpolka, polka, polkett, skotsk) and Sweden (polka).
Hatsune Miku was the first Vocaloid developed by Crypton Future Media after they handled the release of the Yamaha vocal Meiko and Kaito.Miku was intended to be the first of a series of Vocaloids called the "Character Vocal Series" (abbreviated "CV Series"), which included Kagamine Rin/Len and Megurine Luka.
Completed in 1818, it is often considered to be Beethoven's most technically challenging piano composition [42] and one of the most demanding solo works in the classical piano repertoire. [43] [44] The Piano Sonata No. 1 in C, Op. 1 by Johannes Brahms opens with a fanfare similar to the fanfare heard at the start of the Hammerklavier sonata.