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It exhibits their divine ability to wield multiple articles, such as weapons, and perform numerous activities simultaneously. [ 5 ] Indologist Doris Srinivasan states that in both Vaishnava and Shaiva imagery, the Chaturbhuja form is regarded to be the manifestation of a deity who descends upon the earth and performs auspicious acts for the ...
Early Gupta and post-Gupta sculptors were faced with difficulty of portraying infiniteness and multiple body parts in a feasible way. [20] Arjuna's description of Vishvarupa gave iconographers two options: Vishvarupa as a multi-headed and multi-armed god or all components of the universe displayed in the body of the deity. [21]
The name Visvakarman occurs five times in the tenth book of the Rigveda. The two hymns of the Rigveda identify Visvakarman as all-seeing, and having eyes, faces, arms and feet on every side and also has wings. Brahma, the god of creation, who is four-faced and four-armed resembles him in these aspects. He is represented as being the source of ...
In the Pali Canon a paragraph appears many times recording the Buddha describing how he began his quest for enlightenment, saying: [8] So, at a later time, while still young, a black-haired young man endowed with the blessings of youth in the first stage of life—and while my parents, unwilling, were crying with tears streaming down their faces—I shaved off my hair & beard, put on the ochre ...
White, with multiple arms holding many symbols Sahasranetra: Thousand-eyed Often depicted with multiple arms with eyes on the hands Cintāmaṇicakra: Wish Fulfilling Wheel Holds the wish-fulfilling jewel and the wheel Hayagrīva: Horse-necked one Wrathful form; simultaneously bodhisattva and a Wisdom King: Amoghapāśa: Unfailing noose
The Gupta-era writer Pushpadanta in his Mahimnastava refers to this form as dehardhaghatana ("Thou and She art each the half of one body"). Utpala , commenting on the Brihat Samhita , calls this form Ardha-Gaurishvara ("the Lord whose half is the fair one"; the fair one – Gauri – is an attribute of Parvati ). [ 6 ]
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[12] [13] Such multiple body parts represent the divine omnipresence and immanence (ability to be in many places at once and simultaneously exist in all places at once), and thereby the ability to influence many things at once. [12] The specific meanings attributed to the multiple body parts of an image are symbolic, not literal in context. [14]