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The Grass Roots played at Newport Pop Festival 1969 at Devonshire Downs, which was a racetrack at the time but now is part of the North Campus for California State University at Northridge. They played on Sunday, June 22, which was the final day of the festival, as their top twenty hit "Wait A Million Years" was hitting the airwaves.
The Grass Roots also recorded songs written by the group's musicians, which appeared on their albums and the B-sides of many hit singles. As the Grass Roots, they had their first top-10 hit in the summer of 1967 with "Let's Live for Today", an English-language cover version of "Piangi con me", a 1966 hit for the Anglo-Italian quartet The Rokes.
Let's Live for Today is the second studio album by the American rock band the Grass Roots, released in July 1967 by Dunhill Records. A new group was brought in for this album which included Creed Bratton, Rick Coonce, Warren Entner and Rob Grill. It features their first top-ten hit by the same name, "Let's Live for Today". The bulk of the ...
Let's Live for Today" was recorded by the Grass Roots with the help of session musicians, including Sloan on lead guitar, and was released as a single in May 1967. [1] [3] The lead vocal on the Grass Roots' recording was sung by the band's bassist Rob Grill [1] and the distinctive "1-2-3-4" count-in before the chorus was sung by guitarist ...
Grass Roots: The Best of New Grass Revival ... [live] (VanZandt) 3:05; Good Woman's Love [live] (Coban) 4:27 ... bass; Additional musicians:
The Nunsense concept originated as a line of greeting cards featuring a nun offering tart quips with a clerical slant. The cards caught on so quickly that Goggin decided to expand the concept into a cabaret show called The Nunsense Story, which opened for a four-day run at Manhattan's Duplex and remained for 38 weeks, encouraging its creator to expand it into a full-length theater production.
NSYNC fans said they feel ready for the boy band’s “next generation” after seeing the latest video that Lance Bass shared on social media.. Bass, who rose to fame in the early 2000s as a ...
The demo contained a horn section and caught the attention of record producer/engineer Steve Barri, who was looking to produce a song for the Grass Roots that was a "West Coast" version of a Motown-style production. The Grass Roots track was produced/engineered by Steve Barri with the horn section's arrangement by Jimmie Haskell.