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In this case creation was the consequence, rather than the cause, of destruction. In philosophical terms, the concept of "creative destruction" is close to Hegel's concept of sublation. In German economic discourse it was taken up from Marx's writings by Werner Sombart, particularly in his 1913 text Krieg und Kapitalismus: [20]
Aspects of object lifetime vary between programming languages and within implementations of a language. The core concepts are relatively common, but terminology varies. For example, the concepts of create and destroy are sometimes termed construct and destruct and the language elements are termed constructor (ctor) and destructor (dtor).
"Creative disruption" as a term is sometimes confused with two other terms: "creative destruction" and "disruptive innovation", but can be easily differentiated by their goals: In creative destruction, the goal is to tear down/clear away the existing so that a new foundation can be built, and the economy can expand. [15]
Societal collapse (also known as civilizational collapse or systems collapse) is the fall of a complex human society characterized by the loss of cultural identity and of social complexity as an adaptive system, the downfall of government, and the rise of violence. [1]
Destruktion, a term from the philosophy of Martin Heidegger; Destructive narcissism, a pathological form of narcissism; Self-destructive behaviour, a widely used phrase that conceptualises certain kinds of destructive acts as belonging to the self; Slighting, the deliberate destruction of a building; Final destruction, the end of the world
Kairos (Ancient Greek: καιρός) is an ancient Greek word meaning 'the right or critical moment'. [1] In modern Greek, kairos also means 'weather' or 'time'. It is one of two words that the ancient Greeks had for 'time'; the other being chronos (χρόνος).
There may be several reasons for building or creating a replica building or structure. Sometimes, it is the result of the destruction of landmark monuments that is experienced as traumatic by region inhabitants, such as through war, planning errors and politically motivated destruction, other times, merely the result of natural disasters.
In other instances, works of art may be destroyed by a local authority against the wishes of the outside community. Examples of this include the removal of Diego Rivera 's 1934 Man at the Crossroads mural from the Rockefeller Center and the destruction of the Buddhas of Bamyan statues by the Taliban government.