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  2. The Times They Are a-Changin' (Burl Ives album) - Wikipedia

    en.wikipedia.org/wiki/The_Times_They_Are_A...

    The Times They Are a-Changin' is a 1968 album by Burl Ives, produced by Bob Johnston.It was probably recorded at Columbia Studios in Nashville, with local session musicians.

  3. My Little Grass Shack in Kealakekua, Hawaii - Wikipedia

    en.wikipedia.org/wiki/My_Little_Grass_Shack_in...

    [15] "Hawaiian music, via sheet music, the new technologies of records and radio, and live travelling performances, was a driving force for the 'Hawaii Craze' that besotted the U.S. during the first half of the 20th century." [12] Motion pictures helped keep the fad going through the 1930s, as did television in the 1950s and 1960s. [16]

  4. Pearly Shells - Wikipedia

    en.wikipedia.org/wiki/Pearly_Shells

    Pearly Shells (Pupu A ʻO ʻEwa) is a Hawaiian folk song. The English lyrics were written by Webley Edwards and Leon Pober. Recordings.

  5. List of works by Burl Ives - Wikipedia

    en.wikipedia.org/wiki/List_of_works_by_Burl_Ives

    Scouting Along with Burl Ives (1964, Columbia CSP 347) True Love (1964, Decca DL 4533/74533) Burl Ives Sings Pearly Shells and Other Favorites (1964, Decca DL 4578/74578, reissued as MCA 102) Chim Chim Cher-ee And Other Children's Choices (1964, Disneyland ST 3927) Rudolph The Red-Nosed Reindeer (1964, Decca DL 34327/4815/74815)

  6. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    IV-V-I-vi chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4 Major I–IV– ♭ VII–IV I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression

  7. Blue Hawaii (Nora Aunor album) - Wikipedia

    en.wikipedia.org/wiki/Blue_Hawaii_(Nora_Aunor_Album)

    Blue Hawaii is the fifth studio album by Filipino singer-actress Nora Aunor released in 1971 and her 14th album since 1967. This album was released by Alpha Records Corporation in the Philippines in LP format [1] and later released in 1999 in a compilation/ cd format.

  8. Sixteen-bar blues - Wikipedia

    en.wikipedia.org/wiki/Sixteen-bar_blues

    Instead of extending the first section, one adaptation extends the third section. Here, the twelve-bar progression's last dominant, subdominant, and tonic chords (bars 9, 10, and 11–12, respectively) are doubled in length, becoming the sixteen-bar progression's 9th–10th, 11th–12th, and 13th–16th bars, [citation needed]

  9. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.