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The clave pattern is also found in the African diaspora music of Haitian Vodou drumming, Afro-Brazilian music, African-American music, Louisiana Voodoo drumming, and Afro-Uruguayan music . The clave pattern (or hambone, as it is known in the United States) is used in North American popular music as a rhythmic motif or simply a form of rhythmic ...
Son and rumba clave in simple meter (duple-pulse) and compound meter (triple-pulse) variants. Play duple son ⓘ, Play triple son ⓘ, Play duple rumba ⓘ, Play triple rumba ⓘ Concerning the role of clave in salsa music, Charley Gerard states: "The clave feeling is in the music whether or not the claves are actually being played."
After the Cuban Revolution separated Cuba from the U.S., son, mambo and rumba, along with other forms of Afro-Cuban music contributed to the development of salsa music, initially in New York. [36] The mass popularization of son music led to an increased valorization of Afro-Cuban street culture and of the artists who created it. It also opened ...
The clave rhythmic pattern is used as a tool for temporal organization in Afro-Cuban music, such as rumba, conga de comparsa, son, mambo (music), salsa, Latin jazz, songo and timba. The five-stroke clave pattern (distributed in groups of 3 + 2 or 2 + 3 beats) represents the structural core of many Afro-Cuban rhythms. [99]
Arsenio Rodríguez (born Ignacio Arsenio Travieso Scull; August 31, 1911 – December 30, 1970) [2] [3] was a Cuban musician, composer and bandleader. He played the tres, as well as the tumbadora, and he specialized in son, rumba and other Afro-Cuban music styles.
The figure has the same exact harmonic sequence as the previous example, but rhythmically, the attack-point sequence of the two measures is reversed. Most salsa music is in two-three clave, and most salsa piano guajeos are based on the two-three onbeat/offbeat motif. 2-3 guajeo: onbeat/offbeat motif
This is a list of old salsa music and son cubano vocalists, as well as clave (rhythm) related styles, like guaracha, guagancó, mambo, cha cha cha, bomba.
Cuban salsa dancers in Havana.. Timba is a Cuban genre of music based on Cuban son with salsa, American Funk/R&B and the strong influence of Afro-Cuban folkloric music.Timba rhythm sections differ from their salsa counterparts, because timba emphasizes the bass drum, which is not used in salsa bands.