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"Ocean Man" is a song by the American alternative rock band Ween, the thirteenth track on their sixth studio album, The Mollusk (1997). It was released as a promotional CD single through Elektra Records in 1997, and also released as the B-side to the earlier single " Mutilated Lips " on June 24, 1997.
Weekly chart performance for "Put Your Hand in the Hand" by Ocean Chart (1971) Peak position Australia (Kent Music Report) [9] 6 Belgium (Ultratop 50 Flanders) [10] 1 Belgium (Ultratop 50 Wallonia) [11] 18 Canada RPM Adult Contemporary 6 Canada RPM Top Singles 10 Canada RPM Country 34 Germany [12] 13 Italy [13] 5 Netherlands (Dutch Top 40) [14] 3
"Lucky Man" is a song by the English progressive rock supergroup Emerson, Lake & Palmer (ELP), from the group's 1970 self-titled debut album. Written by Greg Lake when he was 12 years old and recorded by the trio using improvised arrangements, [ 1 ] the song contains one of rock music 's earliest instances of a Moog synthesizer solo.
Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F♯, the tone a major third above D). Baroque guitar standard tuning – a–D–g–b–e
"Simple Man" is written in the key of A minor/C major, though all guitars were tuned down a half step, effectively making it G♯ minor/B.The song begins with an electric arpeggiated chord sequence made up of the chords C major, G major and A minor (though with the tuned-down guitars, effective progression of B major, F♯ major and G♯ minor).
Written and sung by Mike Pinder, it was released as a non-album B-side to "Ride My See-Saw", a track from the album In Search of the Lost Chord. The song was produced by Tony Clarke and arranged by Arthur Greenslade. The track was included in the band's 1974 compilation, This Is The Moody Blues, remixed and with an earlier fade than on the single.
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...
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