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The main differences between the archlute and the "baroque" lute of northern Europe are that the baroque lute has 11 to 13 courses, while the archlute typically has 14, [2] and the tuning of the first six courses of the baroque lute outlines a d-minor chord, while the archlute preserves the tuning of the Renaissance lute, [3] with perfect fourths surrounding a third in the middle for the first ...
Archlute by Matteo Sellas Baroque guitar by Matteo Sellas. Matteo Sellas (sometimes also written Mateo Sellas or in original German Matthäus Seelos) was a German luthier born in 1580 in Füssen who worked in Venice from 1620–1650 [1] and is best known for building lutes, archlutes and baroque guitars.
Piccinini was born in Bologna into a musical family: his father Leonardo Maria Piccinini taught lute playing to Alessandro as well as his brothers Girolamo (died 1615) and Filippo (died 1648). He held appointments at the Este court in Ferrara (from 1582 to 1597) and with Cardinal Pietro Aldobrandini , papal legate at Bologna and Ferrara.
O'Dette, who was born in Pittsburgh, began playing the electric guitar in a rock band in Columbus, Ohio, where he grew up. Eventually, this led him into playing guitar transcriptions of lute music, and not long after that he opted for the lute (as well as the related archlute, theorbo, and Baroque guitar) as his primary instruments, and now he specializes in the performance of Renaissance and ...
The theorbo is a plucked string instrument of the lute family, with an extended neck that houses the second pegbox.Like a lute, a theorbo has a curved-back sound box with a flat top, typically with one or three sound holes decorated with rosettes.
The Lute Player - a painting by Caravaggio Fronimo is a software program for engraving of tablature for lutes , archlute , theorbo and other plucked and bowed instruments. [ 2 ] [ 3 ] [ 4 ]
The mugni is a Persian stringed musical instrument which resembles a tar except that the two globes are connected and not separated like the tar's. [1]During Ghuri rulers and Khwarizmi (12th – 13th century) music grew.
Suite No. 2, P 138 was composed in 1923. It was based on pieces for lute, archlute , and viol by Fabritio Caroso , Jean-Baptiste Besard , Bernardo Gianoncelli , and an anonymous composer. It also includes an aria attributed to Marin Mersenne .