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The rage that follows from Patroclus' death becomes the prime motivation for Achilles to return to the battlefield. He returns to battle with the sole aim of avenging Patroclus' death by killing Hector, despite a warning that doing so would cost him his life. After defeating Hector, Achilles drags his corpse by the heels behind his chariot.
The play's second scene opens with Lycippus and Dydimus making up their argument and shaking hands. Polybrontes, a politician, becomes the object of their merriment. Meanwhile Ajax has lost his mind as a result of his defeat by Ulysses, slays Polybrontes in a rage, mistakes Chalcas for Ulysses, and eventually commits suicide.
Achilles is moved to tears and finally relents, softening his anger. The two lament their losses in the war. Achilles agrees to give Hector's body back and to give the Trojans twelve days to properly mourn and bury him. Achilles apologises to Patroclus, fearing he has dishonored him by returning Hector's body.
In book 19 of the Iliad, Achilles makes a rousing speech to the Achaean soldiers. He publicly declares that he will ignore his anger with Agamemnon and return to battle. During his speech, Achilles says he wishes Briseis were dead, lamenting that she ever came between Agamemnon and himself. [12] This contrasts his own statements in book 9.
Achilles begins to draw his sword in anger upon hearing this, while Agamemnon's wife, Clytemnestra, looks on in grief and sadness with her hand on her daughter's shoulder. David produced the work during his exile in Brussels. An 1825 copy of the painting is sometimes [1] attributed to Michel Ghislain Stapleaux under David's direction.
Like Achilles, he is represented (although not by Homer) as living after his death on the island of Leuke at the mouth of the Danube. [21] Ajax, who in the post-Homeric legend is described as the grandson of Aeacus and the great-grandson of Zeus, was the tutelary hero of the island of Salamis, where he had a temple and an image, and where a ...
According to Ledbetter (1993), [29] there is a train of thought that Patroclus could have been a representation of the compassionate side of Achilles, who was known for his rage, mentioned in the first line of Homer's Iliad. Ledbetter connects the way that Achilles and his mother, Thetis, communicate to the link between Achilles and Patroclus.
Achilles, in the Iliad, cares for his own honour; he keeps gods and deities in his heart; "...the thunderous lord of Hera might grant you the winning of glory, you must not set your mind on fighting the Trojans, whose delight is in battle, without me. So you will diminish my honour (thumos)." [3]