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Sometimes we are the student. Sometimes we are the master. And sometimes we are merely the lesson – Jacalyn Smith; Spare the rod and spoil the child; Speak as you find; Speak of the devil and he shall/is sure/will appear; Speak softly and carry a big stick; Sticks and stones may break my bones, but words will never hurt me
These are not merely catchy sayings. Even though some sources may identify a phrase as a catchphrase, this list is for those that meet the definition given in the lead section of the catchphrase article and are notable for their widespread use within the culture. This list is distinct from the list of political catchphrases.
Proverbs are often poetic in and of themselves, making them ideally suited for adapting into songs. Proverbs have been used in music from opera to country to hip-hop. Proverbs have also been used in music in many languages, such as the Akan language [184] the Igede language, [185] Spanish, [186] and Igbo. [187] The Mighty Diamonds, singers of ...
Songs and Proverbs of William Blake is a song cycle composed by Benjamin Britten (1913–76) in 1965 for baritone voice and piano and published as his Op. 74. The published score states that the words were "selected by Peter Pears " from Proverbs of Hell , Auguries of Innocence and Songs of Experience by William Blake (1757–1827).
The Greek noun sophia is the translation of "wisdom" in the Greek Septuagint for Hebrew חכמות Ḥokmot.Wisdom is a central topic in the "sapiential" books, i.e. Proverbs, Psalms, Song of Songs, Ecclesiastes, Book of Wisdom, Wisdom of Sirach, and to some extent Baruch (the last three are Apocryphal / Deuterocanonical books of the Old Testament.)
Proverbs and Songs is a live album by the English saxophonist John Surman recorded at Salisbury Cathedral on June 1, 1996 with organist John Taylor and the 75-strong Salisbury Festival Chorus and released on ECM the following year, consisting a suite of choral settings of Old Testament texts. [1] [2]
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At the same time there are many literary quotations in the text. Alex Ross described it as "a surreal collage". [2] Georges Bizet used a song "El Arreglito" by Sebastián Iradier as the basis for the "Habanera" (L'amour est un oiseau rebelle) in his opera Carmen, believing it to be an anonymous folk song. When he discovered its true author, who ...