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In comedy, a throwaway line (also: throwaway joke or throwaway gag) is a joke delivered "in passing" without being the punch line to a comedy routine, part of the build up to another joke, or (in the context of drama) there to advance a story or develop a character. Throwaway lines are often one-liners, or in-jokes, and often delivered in a ...
Throwaway line, a joke delivered "in passing" without being the punch line to a comedy routine; Throw-away society, a human society strongly influenced by consumerism "Thrown Away, a short story by Rudyard Kipling
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
A postface is a text added to the end of a book or written as a supplement or conclusion, usually to give a comment, an explanation, or a warning. The postface can be written by the author of a document or by another person. The postface is separated from the main body of the book and is placed in the appendices pages.
Immediately I began checking out every library book I could find about castles, knights, kings and queens, swords, armor and jousting tournaments. My interest quickly evolved into an all ...
The most common type of visual gag is based on multiple interpretations of a series of events. [3] This type is used in the 1935 Alfred Hitchcock film The 39 Steps.Lead actor Robert Donat was kidnapping actress Madeleine Carroll and they were handcuffed.
For example, “Tell me about one of the best days you can remember” might elicit a story about someone’s wedding, and if you’re not keeping up with your question queue and let “What was ...
Nonlinear narrative, disjointed narrative, or disrupted narrative is a narrative technique where events are portrayed, for example, out of chronological order or in other ways where the narrative does not follow the direct causality pattern of the events featured, such as parallel distinctive plot lines, dream immersions or narrating another story inside the main plot-line.