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The font (also spelled "fount") held the kerosine for the lamp. [25] The chimney was a glass tube placed around the lamp's flame that had a bulge at the base that kept drafts away from the flame and added extra illumination. [26] A lamp's shade was a glass object that surrounded the light source and diffused it. [27]
It was pictured on the front page of the Crockery and Glass Journal on January 4, 1912. [63] From the beginning of the Moundsville operations until about 1915, Fostoria focused on oil lamps and products for restaurants and bars—especially stemware and tumblers. [21] In 1915, Fostoria introduced its American pattern (pattern number 2056).
Vintage cranberry glass bowl The beaker with lid made from Gold Ruby is attributed to Johann Kunckel. Cranberry glass or ' Gold Ruby ' glass is a red glass made by adding gold salts or colloidal gold to molten glass. Tin, in the form of stannous chloride, is sometimes added in tiny amounts as a reducing agent. The glass is used primarily in ...
An Argand lamp in use in A Portrait of James Peale, done in 1822 by Charles Willson Peale Argand lamp with circular wick and glass chimney. Illustration from Les Merveilles de la science (1867–1869) by Louis Figuier. The Argand lamp is a type of oil lamp invented in 1780 by Aimé Argand.
A late antique oil lamp showing a human figure identified as Christ. Early Christian and late antique oil lamps were diverse. One of the most notable ones were Mediterranean sigillata (“African”) lamps. The motifs were largely geometric, vegetative and graphic (monograms), with figural depiction of animals and human figures, often Christ. [13]
Clarke's original lamps feature a fairy embossed into the bottom, and they became so popular that all small candle-based lamps became known as "fairy lamps." They became extremely popular, due to the sudden affordability of mass-produced glass and candles, and were frequently used to illuminate nurseries, sickrooms, and hallways. [ 2 ]
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