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Bolesławiec pottery (English: BOLE-swavietz, Polish: [bɔlɛ'swav j ɛt͡s]), also referred to as Polish pottery, [1] is the collective term for fine pottery and stoneware produced in the town of Bolesławiec, in south-western Poland. The ceramics are characterized by an indigo blue polka dot pattern on a white background or vice versa.
Carlton Ware was a pottery manufacturer based in Stoke-on-Trent. The company is known for its tableware, often in the form of highly decorated leaves or fruit, and the ceramic toucans it made as promotional items for Guinness. It produced hand-painted domestic pottery in high art deco styles during the 1920s and 1930s. "Tutenkahmen" vase, 1920s
Moorcroft's first innovative range of pottery, called Florian Ware, was a great success and won him a gold medal at the 1904 world's fair (the Louisiana Purchase Exposition in St. Louis, Missouri). Unusually at that time, he adopted the practice of signing his name, or his initials, on nearly all the pottery he designed, the production of which ...
Hadley pottery became collectible and highly sought after for their varied and creative hand painted patterns. [ citation needed ] Hadley Pottery is still operating. Christy Lee Brown purchased the company in 1997, [ 4 ] and from 1997 to 2007, Louisville Stoneware sales averaged $3 million a year.
Transfer printing is a method of decorating pottery or other materials using an engraved copper or steel plate from which a monochrome print on paper is taken which is then transferred by pressing onto the ceramic piece. [1] Pottery decorated using this technique is known as transferware or transfer ware.
Much of the porcelain was also transfer-printed, or combined this and china painting by hand. [2] Grove characterizes the wares as "inspired by those of Rockingham, Spode and Worcester". [3] In later periods, the many branches of the family businesses maintained a similar position in the market, and followed design trends at a rather safe distance.
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Commercial potteries such as Royal Doulton and Mintons employed young women with artistic talent to create hand-painted or hand-colored art pottery. [63] Until as late as 1939, women in the ceramic industry in Britain were mostly confined to decorating, since they were thought to have special aptitude for repetitive detailed work.
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