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In her article "Embodied Writing: A Tool for Teaching and Learning in Dance", dance theorist Betsy Cooper defines embodied writing as: vividly descriptive writing inclusive of an array of sensory mechanisms such that a kinesthetic and visceral experience unfolds during the act of writing and a sympathetic response ensues for the reader.
Embodied cognition, a theory that many aspects of cognition are shaped by the body; Embodied cognitive science, seeks to explain the mechanisms underlying intelligent behavior; Embodied design, that the actions of the body can play a role in the development of thought and ideas; Embodied imagination, a therapeutic form of working with dreams ...
Embodied theories of language comprehension assume that abstract concepts, as well as concrete ones, are grounded in the sensorimotor system [4] [14] Some studies have investigated the activation of motor cortices using abstract and also concrete verbs, examining the stimulation of the motor cortices when comprehending literal action verbs ...
Articles relating to writing, a medium of human communication that involves the representation of a language with written symbols. Writing systems are not themselves human languages (with the debatable exception of computer languages); they are means of rendering a language into a form that can be reconstructed by other humans separated by time and/or space.
The Martian poets were English poets of the 1970s and early 1980s, including Craig Raine and Christopher Reid. Through the heavy use of curious, exotic, and humorous metaphors, Martian poetry aimed to break the grip of "the familiar" in English poetry, by describing ordinary things as if through the eyes of a Martian.
Ostension: Word Learning and the Embodied Mind is a 2014 book by Chad Engelland in which the author provides a philosophical introduction to ostension and its significance in word learning. [ 1 ] [ 2 ] [ 3 ]
Writing technologies from different eras coexist easily in many homes and workplaces. During the course of a day or even a single episode of writing, for example, a writer might instinctively switch among a pencil, a touchscreen, a text-editor, a whiteboard, a legal pad, and adhesive notes as different purposes arise. [16]
Rosi Braidotti (/ b r aɪ ˈ d ɒ t i /; born 28 September 1954) is a contemporary philosopher and feminist theoretician. Born in Italy, she studied in Australia and France and works in the Netherlands.