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Aaron Ghitelman of Live for Live Music said that "Still… You Turn Me On" showcases Lake's "mastery" as a singer-songwriter. He also called the song very good. [5] Tom Muscarella of Rock ’n’ Roll Remnants described the song as a lovely ballad, and also said that "Still...You Turn Me On" was in the same style as "Lucky Man". [6]
Ian Timothy Whitcomb (10 July 1941 – 19 April 2020) was an English entertainer, singer-songwriter, record producer, writer, broadcaster and actor. As part of the British Invasion, his hit song "You Turn Me On" reached number 8 on the Billboard Hot 100 chart in 1965.
It also contains three until then unreleased tracks: "17", "Oh What a Night (4 Luv)", "You Turn Me On" and also contained a double sided poster. It was released on the Gordy Records imprint of Motown Records .
"Still You Turn Me On" additionally features multiple acoustic guitars and wah-wah guitar accents in addition to Emerson on harpsichord and accordion. From this point onward, the guitar would become a more common addition to ELP albums although it would remain subordinate to Emerson's keyboard work.
Gregory Stuart Lake (10 November 1947 – 7 December 2016) was an English musician, singer, and songwriter. He gained prominence as a founding member of the progressive rock bands King Crimson and Emerson, Lake & Palmer (ELP).
All but one of the tracks from the band's most recent album Brain Salad Surgery appear in versions nearly unchanged from their studio renditions, save for the insertion of a five-minute Palmer drum solo to climax "Karn Evil 9: 1st Impression" and a stripped-down rendition of the Lake ballad "Still...You Turn Me On" which appears along with an equally downsized "Lucky Man" in the middle of Lake ...
The song is noticeable for Whitcomb's falsetto and "orgasmic vocal hook". [2] Whitcomb recorded this song with his band, Bluesville. The hit version is edited; the original single as recorded was over 3 minutes and had a longer intro during which a mike stand can be clearly heard falling into a studio wall and it had a cold ("stinger") ending.
You Turn Me On was produced by Stuart Moxham of Young Marble Giants and Fisk. [9] [10] As with every Beat Happening album, it was Calvin Johnson's goal to write the perfect pop song. [11] The band employed multitrack recording and extended many of the songs. [12] [13]