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The Transfiguration of Jesus is an event described in the New Testament where Jesus is transfigured and becomes radiant in glory upon a mountain. [1] [2] The Synoptic Gospels (Matthew 17:1–8, Mark 9:2–13, Luke 9:28–36) recount the occasion, and the Second Epistle of Peter also refers to it.
Three further lambs stand higher up, near the horizon of the garden, and looking up at the jewelled cross; these represent the three apostles who witnessed the Transfiguration. [8] In more vertical depictions of the standard type the scene resolved itself into two zones of three figures: above Christ and the prophets, and below the disciples.
The Transfiguration of Jesus was a major theme in the East and every Eastern Orthodox monk who took up iconography needed to start his craft by producing the icon of the Transfiguration. [85] Whereas Western depictions aim for proportion, the abolition of perspective and alterations in the size and proportion of an image in Eastern icons aim to ...
This transformation is often metaphorical, symbolizing a shift in perception, identity, or understanding. Unlike religious transfiguration, which often involves a direct connection with the divine or supernatural, secular interpretations of transfiguration focus more on personal growth, artistic expression, or philosophical change.
The Transfiguration of Jesus was a major theme in the East and every Eastern Orthodox monk who had trained in icon painting had to prove his craft by painting an icon of the Transfiguration. [60] However, while Western depictions increasingly aimed at realism , in Eastern icons a low regard for perspective and alterations in the size and ...
Mount Hermon (2,814 metres or 9,232 feet high) was suggested by J. Lightfoot (1602–1675) and R. H. Fuller (1915–2007) [2] for two reasons: It is the highest site in the area [given that the Transfiguration took place on "a high mountain" (Matthew 17:1)], and it is located near Caesarea Philippi (Matthew 16:13), where the previous events reportedly took place.
The Cambridge Bible for Schools and Colleges, following Jewish medieval rabbi David Kimhi and theologican John Lightfoot, suggests that Jeremiah "is mentioned as a representative of the Prophets, because in the Jewish Canon the book of Jeremiah came first of the Prophets, following the books of Kings." [13]
The work therefore represented a return to the unifying values of faith. The painter was accompanied by a Franciscan theologian during the work's production. The work nominally portrays the Transfiguration of Christ , [ 3 ] though it omits the three apostles traditional to paintings of that event and relegates the figures of Moses and Elijah to ...