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Thus, for example, "Diwali" is the name not of a song, but of a riddim created by Steven "Lenky" Marsden, subsequently used as the basis for several songs, such as Sean Paul's "Get Busy" and Bounty Killer's "Sufferer." [1] "Riddims are the primary musical building blocks of Jamaican popular songs....
The song is significant for giving rise to perhaps the most popular reggae riddim of all time, having been versioned hundreds of times by artists including The Clash, KRS-One and 311. [3] According to a 2004 The New York Times article, C. Dodd considered the song his crowning achievement. [2]
Sleng Teng is among the most versioned (rerecorded) of Jamaican riddims, with nearly 500 versions. [23] The riddim was updated by Jammy in 2005 (slightly speeded up, with added horn riff) and this variation is known as "Sleng Teng Resurrection". Several new cuts on the original Sleng Teng were also released by Jammys in 2005 in celebration of ...
The term "riddim" is the Jamaican Patois pronunciation of the English word "rhythm".The derived genre originally stemmed from dub, reggae, and dancehall.Although the term was widely used by MCs since the early days of dancehall and garage music, it was later adopted by American dubstep producers and fans to describe what was originally referred to as "wonky dubstep".
The song, based on Kurt Riley's Jambe-An riddim, [5] gradually spread outside Jamaica to win over audiences across South America. It was licensed worldwide by Allezgo Productions and for the US by Casablanca Records in early 2016, followed by the release of a music video for the song on YouTube months later.
This song was released on a various artiste compilation called "Ilove Riddim" and it quickly became one of his popular reggae anthems in Germany. In August 2008, Teacha Dee started his own label called "Tenfloor Records" based in Montego Bay, Jamaica.
The first reggae fusion-influenced riddim was produced in 2005 by Cordell "Skatta" Burrell, which featured deejays on a techno-based instrumental. [20] [21] Reggae fusion is now a regular staple on Jamaican radio stations, especially Zip 103 FM, in the form of singles, mixes and remixes. This has led to more reggae fusion hits being produced as ...
The New York Times described the song as "one of the most popular reggae rhythms of all time, spawning hits, sequels and – inevitably – rip-offs. If ever there was a beat that deserved its own Behind the Music, this is it." Similarly, the album was heralded as the best reggae album released in 2002. [2]