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She was buried in a short-sleeved woolen linen blouse with embroidery on the sleeves and neckline. A large square cloth of wool, gathered at the top with a belt, covered her from the waist to the feet. Attached to the belt was an ornate horn comb. The clothes were made of wool from a dark, reddish-brown sheep.
Matilde Juva-Branca wears a dark morning dress with a lace blouse or chemisette and cuffs and short leather gloves. Her hair is parted and worn in long sausage curls, 1851. Doña Josefa García Solis wears a simple green satin dress with laced short sleeves over a linen chemise or chemisette. Her lace cap is trimmed with rose-colored tassels ...
Arnold, Janet: Patterns of Fashion: the cut and construction of clothes for men and women 1560–1620, Macmillan 1985. Revised edition 1986. (ISBN 0-89676-083-9) Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660.
[11] [4] The white or black-and-red satin stitch or pattern darning embroidery either covered the sleeve completely, or was added only to the top part. [11] [4] Western Volhynians added a thin string of embroidered ornament near the sleeve trimming. [11] [4] The sleeves could be finished with a pulled or ruffled cuff, or be shortened and left ...
A linen hood or cap is tied under her chin, 1743–45. Luisa Ulrika of Prussia, Queen of Sweden wears a gown with "split sleeves" (elbow frills and a lower sleeve tight to the wrist). Her overskirt is looped up over her petticoat and she wears a black cap set with diamond studs.
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