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Ancient Greek architecture is distinguished by its highly formalised characteristics, both of structure and decoration. This is particularly so in the case of temples where each building appears to have been conceived as a sculptural entity within the landscape, most often raised on high ground so that the elegance of its proportions and the ...
These two interior layouts tend to be square/circular in form rather than elongated. The cruciform is the oldest of the two interior layouts and seems to be of Byzantine origin. It comes from the adaptation of two of the earliest Christian architectural forms, the basilica and the octagonal/circular form.
The foundations of Greek temples could reach dimensions of up to 115 by 55 m, i.e. the size of an average football pitch. Columns could reach a height of 20 m. To design such large architectural bodies harmoniously, a number of basic aesthetic principles were developed and tested already on the smaller temples.
Mosaics made of stone or glass tesserae were also elements of interior architecture. Precious wood furniture, like beds, chairs, stools, tables, bookshelves and silver or golden cups with beautiful reliefs, decorated Byzantine interiors. [2] Early Byzantine architecture drew upon earlier elements of Roman and Greek architecture.
The Corinthian order (Greek: Κορινθιακὸς ῥυθμός, Korinthiakós rythmós; Latin: Ordo Corinthius) is the last developed and most ornate of the three principal classical orders of Ancient Greek architecture and Roman architecture. The other two are the Doric order, which was the earliest, followed by the Ionic order. In Ancient ...
In Classical architecture, a cella (from Latin ' small chamber ') or naos (from Ancient Greek ναός (naós) ' temple ') is the inner chamber of an ancient Greek or Roman temple. Its enclosure within walls has given rise to extended meanings, of a hermit's or monk's cell , and since the 17th century, of a biological cell in plants or animals.
Leo von Klenze's Walhalla in Regensburg, Bavaria (1842). In Germany, Greek Revival architecture is predominantly found in two centres, Berlin and Munich.In both locales, Doric was the court style rather than a popular movement and was heavily patronised by Frederick William II of Prussia and Ludwig I of Bavaria as the expression of their desires for their respective seats to become the capital ...
Klismoi are familiar from depictions of ancient furniture on painted pottery and in bas-reliefs from the mid-fifth century BCE onwards. In epic, klismos signifies an armchair, but no specific description is given of its form; in Iliad xxiv, after Priam's appeal, Achilles rises from his thronos, raises the elder man to his feet, goes out to prepare Hector's body for decent funeral and returns ...