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Instituto Cervantes (Spanish: [instiˈtuto θerˈβantes], the Cervantes Institute) is a worldwide nonprofit organization created by the Spanish government in 1991. [2] It is named after Miguel de Cervantes (1547–1616), the author of Don Quixote and perhaps the most important figure in the history of Spanish literature .
The original idea was conceived in 1922 by Vicente Clavel, director of Cervantes publishing house in Barcelona, as a way to honour the author Miguel de Cervantes and boost the sales of books. It was first celebrated on 7 October 1926, Cervantes' birthday, before being moved to his death date, 23 April, in 1930. [4]
Miguel de Cervantes (1547−1616) — renowned Spanish Renaissance writer during the Spanish Golden Age Wikiquote has quotations related to Miguel de Cervantes . Wikisource has original works by or about:
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Miguel de Cervantes Saavedra (/ s ɜːr ˈ v æ n t iː z,-t ɪ z / sur-VAN-teez, -tiz; [5] Spanish: [miˈɣel de θeɾˈβantes saaˈβeðɾa]; 29 September 1547 (assumed) – 22 April 1616 NS) [6] was a Spanish writer widely regarded as the greatest writer in the Spanish language and one of the world's pre-eminent novelists.
Three of the 50 winners of the Miguel de Cervantes Prize have also won the Nobel Prize in Literature. Octavio Paz (Cervantes 1981, Nobel 1990) and Mario Vargas Llosa (Cervantes 1994, Nobel 2010), were awarded the Nobel Prize in subsequent years, while Camilo José Cela received the Nobel Prize in 1989 and was awarded the Cervantes Prize in 1995.
The series was written by Miguel de Cervantes between 1590 and 1612 and printed in Madrid in 1613 by Juan de la Cuesta. Novelas ejemplares followed the publication of the first part of Don Quixote. The novellas were well received. Cervantes boasted in his foreword to have been the first to write novelas in the Spanish language:
For Cervantes and the readers of his day, Don Quixote was a one-volume book published in 1605, divided internally into four parts, not the first part of a two-part set. The mention in the 1605 book of further adventures yet to be told was totally conventional, did not indicate any authorial plans for a continuation, and was not taken seriously by the book's first readers.