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Western-influenced music first came to China in the 1920s, specifically through Shanghai. [7] Artists like Zhou Xuan (周璇) acted in films and recorded popular songs.. When the People's Republic of China was established by the Chinese Communist Party in 1949, one of the first actions taken by the government was to denounce pop music (specifically Western pop) as decadent music. [7]
The youth began to gravitate towards Cantonese pop in the 70s. Around 1971, Sandra Lang (仙杜拉) was invited to sing the first Cantonese TV theme song, "The Yuanfen of a Wedding that Cries and Laughs" (啼笑姻緣). This song was the creation of the legendary songwriter Joseph Koo (顧嘉輝) and the songwriter Yip Siu-dak (葉紹德). The ...
This is a list of Chinese folk songs, categorized by region.. In the 1990s, with the spread of music television in China, a new type of folk song began to emerge, known as new folk songs (新民歌) or TV program folk songs (晚会民歌).
Two years later, Teng's albums Teresa Teng's Greatest Hits and Love Songs of the Island 3 won her second Golden Album Award. Teng released her first Cantonese album, Irreconcilable (勢不兩立) in 1980, which became the best-seller of the year; its single, "Forget Him", became one of the most famous Cantonese pop songs at that time. [24]
The group sang exclusively in English in their early days, mainly covers of popular songs from other parts of the world, most notably "Hey Jude" by the Beatles.In 1975, the group collaborated with songwriter/lyricist James Wong and released a number of original Cantonese songs for the soundtrack of the film Let's Rock, which Wong also directed.
The Cantonese songs became instant hits with classics including: Iron-blooded Loyalists (鐵血丹心) and 世間始終你好. “When the series was broadcasted (broadcast) in late 1980s in the mainland China, the tune Iron-blooded Loyalists became widely popular, and had since been regarded as one of the classics in Chinese pop music”.
Mandopop or Mandapop refers to Mandarin popular music.The genre has its origin in the jazz-influenced popular music of 1930s Shanghai known as Shidaiqu; later influences came from Japanese enka, Hong Kong's Cantopop, Taiwan's Hokkien pop, and in particular the campus folk song folk movement of the 1970s. [1] "
The song was about racism and the struggle of Nelson Mandela in South Africa. [2] [4] The song was a huge hit, and had a fresh sound that stood out from the sea of love songs that dominated the Cantopop scene in Hong Kong. The song was from the band's album Party of Fate (命運派對), which sold extremely well, achieving triple platinum. [2]