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Initially, Áo tứ thân was worn by both men and women, but gradually became the traditional dress of women. [35] [36] Áo tứ thân is a symbol of Vietnamese culture. [37] [38] It is associated with the image of Vietnamese women who are gentle, graceful, and capable. [39] Today, Áo tứ thân is not as widely used as before. [40]
Unlike other Vietnamese clothing that helped to segregate the classes, the unseen yếm were worn as an undergarment by Vietnamese women of all walks of life, from peasant women toiling in the fields to imperial consorts. It is an integral part of the áo tứ thân costume, which it is often worn underneath. Girls in yếm and váy đụp
Áo dài is the traditional attire of Vietnam, considered a symbol of the graceful and elegant beauty of Vietnamese women. [36] [better source needed] [8] [better source needed] [37] However, besides the praises, áo dài also cannot escape criticism. [38] [39] One of the most common criticisms of áo dài is the excessive renovation.
Mrs. Đặng Thị Nhu (Đề Thám's third wife) and her daughter in Áo tứ thân costume 2 girls working in the fields in Áo tứ thân costumesThe áo tứ thân was the dress of peasant women, which explains why it was often made with plain fabric in dark colors, except when it was to be worn at special occasions such as festivals or weddings.
Áo bà ba (Vietnamese: [ʔǎːw ɓâː ɓaː], translates to "Grandma's shirt") is a traditional southern Vietnamese garment. The top part that covers the torso is called the áo ("shirt" in English). It is mostly associated with rural southern Vietnam, especially in the Mekong Delta. Often worn as a top and bottom set, the áo bà ba is ...
The Vietnamese civilians (man and woman) in Lê dynasty wearing áo giao lĩnh. In the 17th and 18th century, the áo giao lĩnh worn by men was an ankle-level gown which could be used as part of a formal attire; it was composed of four-panel of fabric and was loose-fitting and featured a jiaoling youren collar, loose sleeves, and side slits.
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Khăn vấn is a rectangular textile that is long and quite thick, wrapped tightly around the head. According to the decrees of Nguyễn dynasty written in the Historical chronicle of Đại Nam, the Vietnamese initially remained faithful to the Champa style, but gradually adapted styles to suit needs for each social class.
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