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The Women of Amphissa is an oil on canvas painting by Sir Lawrence Alma-Tadema, made in 1887. It is held at the Clark Art Institute , in Williamstown . It depicts a group of maenads waking up in the market of Amphissa , after a night of debauchery.
The women of Amphissa formed a protective ring around them and when they awoke arranged for them to return home unmolested. The Women of Amphissa by Lawrence Alma-Tadema On another occasion, the Thyiades were snowed in on Parnassos and it was necessary to send a rescue party.
Dr Epps finally agreed on the condition that they should wait until they knew each other better. They married in July 1871. Laura, under her married name, also won a high reputation as an artist, and appears in numerous of Alma-Tadema's canvases after their marriage (The Women of Amphissa (1887) being a notable example). This second marriage ...
Laura Theresa, Lady Alma-Tadema (née Epps; 16 April 1852 – 15 August 1909) was a British painter specialising in domestic and genre scenes of women and children. Eighteen of her paintings were exhibited at the Royal Academy .
Anna Alma-Tadema was described by biographer Helen Zimmern as a "delicate, dainty artist who has inherited so much of her father's power for reproducing detail." [6] During her time as an artist, Anna Alma-Tadema created several portraits, representations of flowers, [7] as well as watercolor depictions of house interiors and buildings. [8]
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From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.
The first international art exhibition made up entirely of art created by professional female artists. Women Artists: 1550–1950 was the first international exhibition of art by female artists. The exhibition opened on December 21, 1976, [ 1 ] at a time when the Feminist Art Movement was gaining in support and momentum.