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Often, the role of assistant director is broken down into the following sub-roles: The first assistant director (first or 1st AD) has overall AD responsibilities and supervises the second AD (2AD). The "first" is directly responsible to the director and "runs" the floor or set.
The first assistant director (1st AD) assists the production manager and director. The ultimate aim of any 1st AD is to ensure the film comes in on schedule while maintaining a safe working environment in which the director, principal artists (actors) and crew can be focused on their work.
For the cinematography of “Pedro Páramo,” Prieto made the uncommon decision to share the responsibilities with DP Nico Aguilar, who shot second unit on “Killers of the Flower Moon.” “I ...
Best boys are responsible for the day-to-day operation of the lighting or grip department. Their many responsibilities include the hiring, scheduling, and management of crew; the renting, ordering, inventory, and returning of equipment; workplace safety and maintaining discipline within their department; completing timecards and other paperwork; stocking of expendables; loading and unloading ...
The film's director will select important department heads (keys) or support personnel related to their work, including the casting director, cinematographer, costume designer, production designer, and film editor. For below-the-line matters, the UPM often negotiates deals (for location, equipment, etc.) and hires the remaining crew, typically ...
Tomblin was born in Borehamwood, Hertfordshire, England.He began working in film as a runner at the age of 14. [1] He worked on numerous productions, and (with an interruption for National Service in the Royal Marines), became a First Assistant Director in 1954. [1]
Georgia State athletics director Charlie Cobb had an even tougher task when hiring Dell McGee to replace Elliott. McGee actually took a $2,000 pay cut from the $852,000 he made as an assistant ...
A focus puller. A focus puller or first assistant camera (1st AC) is a member of a film crew's camera department whose primary responsibility is to maintain the camera lens's optical focus on whatever subject or action is being filmed.
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