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The first assistant director (first or 1st AD) has overall AD responsibilities and supervises the second AD (2AD). The "first" is directly responsible to the director ...
A focus puller. A focus puller or first assistant camera (1st AC) is a member of a film crew's camera department whose primary responsibility is to maintain the camera lens's optical focus on whatever subject or action is being filmed.
A 1st AD may also be responsible for directing background action for major shots or the entirety of relatively minor shots, at the director's discretion. Second assistant director The second assistant director (2nd AD) is the chief assistant of the 1st AD and helps carry out those tasks delegated to the 1st AD.
Director Commissioner Albanian Police [15] [16] Drejtues madhor Chief director Drejtues i lartë Senior director Drejtues i parë First director Drejtues Director Kryekomisar Chief commissioner Komisar Commissioner: Nënkomisar Sub-commissioner Inspektor Inspector: Kursantë Cadet
The first assistant cameraman (1st AC), also known as a focus puller, is responsible for maintenance of the camera, such as clearing dirt from the film gate and adjusting the follow focus. A second assistant cameraman (2nd AC), also known as a clapper loader , might be employed to load film, slate scenes , or maintain the camera report (a log ...
First Assistant Director General (Engagement, Operations and Intelligence) Australian Army. Deputy Chief of Army (DCA) Commander of the Forces Command (CFC)
The executive officer shall conform to and effectuate the policies and orders of the commander and shall be prepared to assume command at any time the need should arise." At higher levels of command, the second-in-command is the assistant division/wing commander or, in the case of a Marine Expeditionary Force (MEF), deputy
He was an assistant on two Budd Boetticher films, Killer Shark (1950) and Bullfighter and the Lady (1951); on the latter he was promoted to first assistant director. He was 2nd AD on John Ford 's The Quiet Man (1952) with his father, and 1st AD on Wild Stallion (1952), Here Come the Marines (1952), Big Jim McLain (1952) with John Wayne ...