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Dharma Haven: Om Mani Padme Hum; Khandro.net: Mantra; Om Mani Padme Hum: a Sufi interpretation; Andrew West, An article on Om Mani Padme Hum in different scripts; Buddha speaks Mahayana Sublime Treasure King Sutra English translation of Karandavyuha Sutra; sung tune of Mani mantra derived from Karma Pakshi tradition (13th century CE)
The sutra introduces the Buddhist mantra, Om Mani padme Hum, which it states can lead to liberation (moksha) and eventual Buddhahood. [7] In the sutra, Shakyamuni Buddha states, "This is the most beneficial mantra. Even I made this aspiration to all the million Buddhas and subsequently received this teaching from Buddha Amitabha." [8]
Like the popular six-syllable mantra "om mani padme hum" and the Nīlakaṇṭha Dhāraṇī, the Śūraṅgama mantra is synonymous with practices of Avalokiteśvara, an important bodhisattva in both East Asian Buddhism and Tibetan Buddhism.
Mahayana Buddhism also adopted the Om mantra, which is found incorporated into various Mahayana Buddhist mantras (like the popular Om Mani Padme Hum). Another early and influential Mahayana "mantra" or dharani is the Arapacana alphabet (of non-Sanskrit origin, possibly Karosthi ) which is used as a contemplative tool in the Long ...
The Om symbol, with epigraphical variations, is also found in many Southeast Asian countries. In Southeast Asia, the Om symbol is widely conflated with that of the unalome; originally a representation of the Buddha's urna curl and later a symbol of the path to nirvana, it is a popular yantra in Southeast Asia, particularly in Cambodia and Thailand.
Early mentions of dharani in the European literature are from the records left by John of Plano Carpini (1245–7) and William of Rubruck (1254) where they wrote in their respective memoirs that Uighurs and Mongols chanted "Om man baccam", later identified with "Om mani padme hum".
Before the Monkey King can lift the mountain off, the Buddha seals him there, using a paper talisman bearing the mantra, Om Mani Padme Hum, in gold letters. The Monkey King remains imprisoned in stocks for five hundred years, to "learn patience and humility", [ citation needed ] with only his head and hands protruding from the base of the mountain.
The Thirty-Five Confession Buddhas are a common subject depicted in Himalayan Buddhist paintings and sculpture. There are at least three different iconographic systems for depicting the Thirty-Five Buddhas, based on the different descriptions found in ritual texts and commentaries by different authors including Nagarjuna, [nb 1] Sakya Paṇḍita, Jonang Tāranātha and Je Tsongkhapa.