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Examples of this kind of treatment of the figures contained in subjects are very numerous in classical instrumental music, in various degrees of refinement and ingenuity; as in the 1st movement of Mozart's G minor Symphony; in the same movement of Beethoven's 8th Symphony; and in a large number of Bach's fugues, as for instance Nos. 2, 7, 16 ...
The range of possible topics is virtually limitless. Some examples might be "Music during World War I," "Medieval and Renaissance instrumental music," "Music and politics," "Mozart's Don Giovanni, or Women and music." The methods and tools of music history are nearly as many as its subjects and therefore make a strict categorization impossible.
Although definitions of music vary wildly throughout the world, every known culture partakes in it, and it is thus considered a cultural universal.The origins of music remain highly contentious; commentators often relate it to the origin of language, with much disagreement surrounding whether music arose before, after or simultaneously with language.
Western music: 130 Representative examples documenting the history of Western music from the medieval period through the modern era, including many complete works. The Library of Congress: Medieval Music Database: medieval: Four complete manuscripts, a gradual, and three antiphonals. La Trobe University: MuseData classical
Ancient Roman music and singing originated from Etruscan music, [5] [6] [7] and then Ancient Greek music. [8] During its early history, it was mostly used for military purposes. [9] According to Cicero, Roman musical tradition was adapted during the reign of Numa Pompilius.
The New Grove Dictionary of Music and Musicians is an encyclopedic dictionary of music and musicians. Along with the German-language Die Musik in Geschichte und Gegenwart , it is one of the largest reference works on the history and theory of music .
Since music can be endlessly broken down into smaller and smaller categories, a genealogical chart will usually focus on one major genre and its different strains. How these developed out of one another is shown in a genealogical chart, often with major figures or innovators of each subgenre. A simplified example appears below.
Date ranges of classical music eras are therefore somewhat arbitrary, and are only intended as approximate guides. Scholars of music history do not agree on the start and end dates, and in many cases disagree whether particular years should be chosen at all. The 20th century has exact dates, but is strictly a calendar based unit of time.