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Fancy pictures are a sub-genre of genre paintings in 18th-century English art, featuring scenes of everyday life but with an imaginative or storytelling element, usually sentimental. The usage of the term varied, and there was often an overlap with the conversation piece , a type of group portrait showing the subjects engaged in some activity.
Portrait of Ferdinand VI as a Boy; Portrait of Frederick Muhlenberg; Portrait of George II; Portrait of Horatio Gates; Portrait of James Stanhope; Portrait of Maria Luisa of Parma; Portrait of Mathilde de Canisy, Marquise d'Antin; Portrait of Mrs. Theodore Atkinson Jr. Portrait of Muhammad Dervish Khan; Portrait of the Marquise de la Solana ...
Marie-Denise Lemoine was born in Paris to Charles Lemoine and Marie-Anne Rouselle. Two of her three sisters, Marie-Victoire Lemoine (1754–1820) and Marie-Élisabeth Gabiou (1755–1812), as well as distant cousin Jeanne-Elisabeth Chaudet (1767–1832), were all trained as portraitists.
Most of the 18th-century portraits occupy a placid middle ground between the styles of the two dominant male artists of the time, Thomas Gainsborough and Joshua Reynolds, typified by Katherine ...
Catherine Read (or Katherine; 3 February 1723 - 15 December 1778) was a Scottish artist. Born in the early 18th century, she is most known for her work as a portrait-painter.
X-ray of painting showing original pose. Young Girl Reading, or The Reader (French: La Liseuse), is an 18th-century oil painting by Jean-Honoré Fragonard.It depicts an unidentified girl seated in profile, wearing a lemon yellow dress with white ruff collar and cuffs and purple ribbons, and reading from a small book held in her right hand.
Category:18th-century Finnish women artists Category:18th-century Swedish women artists. Brita von Cöln (died 1707) Anna Maria Ehrenstrahl (1666–1729) – daughter of the painter David Klöcker Ehrenstrahl. Margareta Capsia (1682–1759) – the first professional native female artist in Finland, which during her lifetime was a part of Sweden.
These two works are the centerpieces of the institution's art collection, which has notable holdings of eighteenth-century British portraiture. The painting is an elegant depiction of Sarah Moulton (1783–1795), who was about eleven years old when painted. Her direct gaze and the loose, energetic brushwork give the portrait a lively immediacy.
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