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Marie-Denise Lemoine was born in Paris to Charles Lemoine and Marie-Anne Rouselle. Two of her three sisters, Marie-Victoire Lemoine (1754–1820) and Marie-Élisabeth Gabiou (1755–1812), as well as distant cousin Jeanne-Elisabeth Chaudet (1767–1832), were all trained as portraitists.
18th; 19th; 20th; 21st; 22nd; 23rd; Subcategories. This category has the following 11 subcategories, out of 11 total. B. ... Pages in category "18th-century portraits"
He took refuge in a family home at Rigny near Gray occupied by the postmaster Georges Anthony, his wife Louise (née Demandre) and their children. As a thank-you for their hospitality, Prud'hon painted this work and a portrait of Georges beside a horse (now in the Musée des Beaux-Arts de Dijon), both completed in 1796, the year he left their home.
Most of the 18th-century portraits occupy a placid middle ground between the styles of the two dominant male artists of the time, Thomas Gainsborough and Joshua Reynolds, typified by Katherine ...
Most fancy pictures depict children or young women, life-size or somewhat smaller, but some are landscapes with figures. [1] The people depicted are more "democratic" than the upper-class subjects of portraits, [2] and are characteristically portrayed with what has been termed "a sort of contrived innocence", [1] sometimes eroticised. [1] [2]
Catherine Read (or Katherine; 3 February 1723 - 15 December 1778) was a Scottish artist. Born in the early 18th century, she is most known for her work as a portrait-painter.
Maria Verelst (1680–1744) was an early 18th-century English painter best known for her portraits. Biography ... Portrait of a woman, Lady Middleton [6]
The exhibition catalog included detailed discussions of 85 paintings from various collection holders, that together give an overview of four basic aspects of daily life in 17th-century portraits of children and families from the Low Countries: family values, educating children, children at play, and children's fashions. [3]
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