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Memories of Underdevelopment (Spanish: Memorias del Subdesarrollo) is a 1968 Cuban drama film directed and co-written by Tomás Gutiérrez Alea.The story is based on a novel by Edmundo Desnoes entitled Inconsolable Memories (Memorias del Subdesarrollo).
Karsh, 50, is a prominent businessman. Inconsolable since the death of his wife, he invents GraveTech, revolutionary and controversial technology that enables the living to monitor their dear departed's corpses as they decay in their shrouds. One night, multiple graves, including that of Karsh’s wife, are desecrated.
Losing Isaiah received mostly negative reviews from critics. The review aggregator website Rotten Tomatoes reported an approval rating of 45% based on 29 reviews. The site's critical consensus reads, "Losing Isaiah makes an admirable attempt to tackle complex, worthwhile themes, but loses sight of effective storytelling during a descent into melodrama."
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Sorvino was inconsolable, and returned to the location nightly, cruising slowly through the area, calling out for her lost pet, and posting reward notices. Security Officers who worked overnight shifts on the set were advised of the situation, and were told to be alert to the possibility of Sorvino's presence, and to keep an eye out for the dog ...
The movie was originally titled I Wake Up Screaming (source novel's title) before its title was changed to Hot Spot and then back to I Wake Up Screaming, although it was released in some markets as Hot Spot. It was Mature's first film under his contract with 20th Century-Fox. Alice Faye was originally cast as Jill [3] but was replaced by Betty ...
Edwige Fenech (French: [ɛdviʒ fənɛʃ], Italian: [edˈviʒ feˈnɛk,-ˈfɛːnek]; [1] born 24 December 1948) is a French-Italian actress and film producer. [2] She is mostly known as the star of a series of commedia sexy all'italiana and giallo films released in the 1970s, which turned her into a sex symbol.
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