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The Women of Amphissa is an oil on canvas painting by Sir Lawrence Alma-Tadema, made in 1887. It is held at the Clark Art Institute , in Williamstown . It depicts a group of maenads waking up in the market of Amphissa , after a night of debauchery.
The women of Amphissa formed a protective ring around them and when they awoke arranged for them to return home unmolested. The Women of Amphissa by Lawrence Alma-Tadema On another occasion, the Thyiades were snowed in on Parnassos and it was necessary to send a rescue party.
On 5 May 2011, the painting The Meeting of Antony and Cleopatra: 41 BC was sold at the same house for $29.2 million. [51] Alma-Tadema's The Tepidarium (1881) is included in the 2006 book 1001 Paintings You Must See Before You Die. Julian Treuherz, Keeper of Art Galleries at National Museums Liverpool, describes it as an "exquisitely painted ...
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On the other hand, the women in the tales who do speak up are framed as wicked. Cinderella's stepsisters' language is decidedly more declarative than hers, and the woman at the center of the tale "The Lazy Spinner" is a slothful character who, to the Grimms' apparent chagrin, is "always ready with her tongue."
Laura Theresa, Lady Alma-Tadema (née Epps; 16 April 1852 – 15 August 1909) was a British painter specialising in domestic and genre scenes of women and children. Eighteen of her paintings were exhibited at the Royal Academy .
Amphissa is likely the same as "Isse Macareïs" (i. e. Isse the daughter of Macareus) mentioned by Ovid as a lover of Apollo who initially seduced her in the disguise of a shepherd. Their story was one of the images Arachne wove into her weaving, along with other disguises that Apollo, Zeus , Poseidon and Dionysus used when seducing mortal ...
The painting measures 66 by 122 centimetres (26 in × 48 in). It depicts a concert in the late 7th century BC, with the poet Alcaeus of Mytilene playing the kithara . In the audience is fellow Lesbos poet Sappho , accompanied by several of her female friends.