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The nightingale's song within the poem is connected to the art of music in a way that the urn in "Ode on a Grecian Urn" is connected to the art of sculpture. As such, the nightingale would represent an enchanting presence and, unlike the urn, is directly connected to nature. As natural music, the song is for beauty and lacks a message of truth.
Celebration cake for Hobbit Day at the Green Dragon Tavern on the Hobbiton Movie Set, in 2016. Hobbit Day is a name used for September 22nd in reference to its being the birthday of the hobbits Bilbo and Frodo Baggins, two fictional characters in J. R. R. Tolkien's popular set of books The Hobbit (first published on September 21, 1937) and The Lord of the Rings.
For example, in line 9, Shakespeare diverts the ictus away from the two strong tonic stresses of "love" and "lov'st" by arranging the line such that the meter implies contrastive accent on the four pronouns surrounding them: × / × / × / × / × / Be it lawful I love thee, as thou lov'st those (142.9)
"The Love Song of J. Alfred Prufrock" T.S. Eliot: Adapts elements of the T. S. Eliot poem. [36] "Ahab" The Graduate: MC Lars: Moby-Dick: Herman Melville: Retells the story of Moby-Dick from the perspective of Captain Ahab. [37] "Alice" Every Trick in the Book: Ice Nine Kills: Go Ask Alice: Beatrice Sparks [38] [39] "All I Wanna Do" Tuesday ...
Tolkien emphasizes the rhythm in the song "Under the Mountain dark and tall" by the repeated use of the same syntactic construction; this would, they wrote, be seen as monotonous in a poem, but in a song it gives the effect of reciting and singing, in this case as Thorin Oakenshield's Dwarves prepare for battle in their mountain hall: [27]
Kollman writes that Tolkien "frequently" rewrote Shakespeare, while contradicting the original sentiments. She gives as an example firstly the poem that Bilbo recites to Frodo in Rivendell, [T 9] which recalls the final "Song" about winter in Love's Labour's Lost. [13] Shippey calls both Tolkien's and Shakespeare's versions "Shire-poetry".
Auden regarded the work as "my Ars Poetica, in the same way I believe The Tempest to have been Shakespeare's." The poem is a series of dramatic monologues spoken by the characters in Shakespeare's play after the end of the play itself. These are rendered in a variety of verse forms from villanelles, sonnets, sestinas, and finally Jamesian prose ...
This theory states that the Earl, one of Shakespeare's patrons, became the subject of Shakespeare's love, and the majority of the Sonnets are addressed to him. More specifically, Sonnet 105 occupies a group of sonnets within the Fair Youth sequence, from 97 to 105, that seem to indicate happiness at the return of Shakespeare's love, the ...