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In the third section (second subject), the clarinet and violin 1 introduce the second main theme which is initially in the relative key, E ♭ major, and then in the tonic major, C major, finally back to C minor. Second exposition: The piano enters with an ascending scale motif. The structure of the exposition in the piano solo is similar to ...
Piano Trio in C minor, MWV Q3 (Mendelssohn) Piano Trio No. 1 (Shostakovich) Piano Trio No. 2 (Mendelssohn) Piano Trio No. 3 (Brahms) Piano Trios, Op. 1 (Beethoven) Polonaises Op. 40 (Chopin) Pomp and Circumstance Marches; Popoli di Tessaglia! Prelude and Fugue in C minor, BWV 546; Prelude and Fugue in C minor, BWV 847; Prelude and Fugue in C ...
During the Classical era, C minor was used infrequently and often for works of a particularly turbulent cast. [citation needed] Mozart, for instance, wrote only very few works in this key, but they are among his most dramatic ones (the twenty-fourth piano concerto, the fourteenth piano sonata, the Masonic Funeral Music, the Adagio and Fugue in C minor and the Great Mass in C minor, for instance).
Title page of Beethoven's symphonies from the Gesamtausgabe. The list of compositions of Ludwig van Beethoven consists of 722 works [1] written over forty-five years, from his earliest work in 1782 (variations for piano on a march by Ernst Christoph Dressler) when he was only eleven years old and still in Bonn, until his last work just before his death in Vienna in 1827.
Piano Concerto No. 3 (Beethoven) Piano Concerto No. 1 ; Piano Concerto "Symphonic Tale" Philip Marlowe Concerto (Piano Concerto No. 2) Piano Concerto No. 2 for the left hand (in C minor and E-flat major) (Bortkiewicz) Piano Concerto No. 3 "Per aspera ad astra" (Sergei Bortkiewicz) Piano Concerto No. 1 (Arthur De Greef)
The variations have been called "Beethoven’s most overt pianistic homage to the Baroque." [2] The variations differ in character, technical difficulty and dynamics. Pianist Yue Chu points out that the key of C minor indicates that "Beethoven was serious when composing this work," despite his apparent misgivings later. [3]
Beethoven's early biographer Anton Schindler claimed that the Triple Concerto was written for Beethoven's royal pupil, the Archduke Rudolf of Austria. [1] The Archduke, who became an accomplished pianist and composer under Beethoven's tutelage, was only in his mid-teens at this time, and it seems plausible that Beethoven's strategy was to create a showy but relatively easy piano part that ...
The title page of the first book of J.S. Bach's The Well-Tempered Clavier, which covers all 24 major and minor keys.. There is a long tradition in classical music of writing music in sets of pieces that cover all the major and minor keys of the chromatic scale.
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