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Korg Opsix - altered FM-synthesizer with 3-octave keyboard. Operators can do FM, Ring Mod, Filter FM, as well as act as either a filter or wavefolder; Korg ARP 2600FS - semi-modular synthesizer, a reproduction of their ARP 2600 synthesizer from the 70s. Korg RK-100S v2 - update to the new version from 2014 of the popular keytar from the 80s.
KORG has since diversified into digital effects, tuners, recording equipment, electronic hand percussion, and software instruments. [5] [6] In 1992, KORG acquired Vox, then primarily a manufacturer of guitar amplifiers. [7] KORG was the exclusive distributor of Marshall Amplification products in the US for decades. This arrangement ended in 2010.
Korg CX-3 (1980) According to journalist Gordon Reid, it "came close to emulating the true depth and passion of a vintage Hammond." [1]Transporting the heavy Hammond organ, bass pedalboard (a B-3 organ, bench and pedalboard weighs 425 pounds/193 kg) and Leslie speaker cabinets to performance venues makes it cumbersome for artists to tour with a vintage electromechanical organ.
Electribe is a group of electronic musical instruments by Korg.From its beginnings with the Electribe R to the ESX-1, this series includes both analogue modeling synthesizers and sampling drum machines that can be programmed the same as a drum machine.
There are no definitive figures for how many Vox Continentals were manufactured. However, estimates based on serial numbers indicate 9,100 single-manual organs were manufactured. Around 4,100 of these come from the UK, followed by 4,000 from Italy and 1,000 in the US. [3] The Vox name was later sold to Rose Morris, who in turn sold it to Korg in
Korg's Monotribe combined features from their Monotron synthesiser and Electribe groovebox. After the test run that was the Monotron, [43] Korg continued to make analogue synthesisers. In 2011, the success of the Monotron prompted Korg to release the Monotribe, a groovebox combining elements of Korg's Monotron and Electribe series. [45]
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The Korg CX-3 (single manual) and BX-3 (dual manual) were the first lightweight organs to produce a comparable sound to the original Hammond B-3. Sound on Sound 's Gordon Reid said that the CX-3 "came close to emulating the true depth and passion of a vintage Hammond," particularly when connected to a Leslie speaker.