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A woman wearing a visard, as engraved by Abraham de Bruyn in 1581. A woman wearing a moretta muta appears in this 1751 painting by Pietro Longhi . A visard , also known as a vizard , is an oval mask of black velvet which was worn by travelling women in the early modern period to protect their skin from sunburn . [ 1 ]
The Sande sowei masquerades promote and represent the images of women in specific ritual and festive contexts. The ceremonies of the Sande society are the only occasions in Africa in which women customarily wear masks. Wooden masks worn during these public ceremonies, such as funerals or the installations of chiefs, are called sowo (sing.
Women generally do not wear masks in West Africa, but in this region the most numerous and most important wood masks are produced for use by women for the Sande. Several types of masks, some in wood but many made of leather, fur, and cloth, are used in conjunction with the counterpart male initiation society, the Poro.
Statue of the Escrava Anastácia at Church of Our Lady of the Rosary in Salvador, Brazil. While there are reports of black Brazilians venerating an image of a slave woman wearing a facemask throughout the late 19th and early 20th century, the first wide-scale veneration of the Saint began in 1968 when the curators of the Museum of the Negro, located in the annex of the Church of Our Lady of ...
In southern provinces of Iran, Shia women wear red rectangular masks, while those of Sunni women are black or indigo with gold, similar to the mask worn in the Arabian peninsula. [7] In Qeshm, the masks were designed to fool invaders, so they would mistake women for male soldiers. [4] The wearing of battouleh is declining among the younger ...
The performances showcase an ideal image of an Igbo maiden. This ideal is made up by the smallness of a young girl's features and the whiteness of her complexion, which is an indication that the mask is a spirit. This whiteness is created using a chalk substance used for ritually marking the body in both West Africa and the African Diaspora.
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These artists all depicted Hawaiian warriors clad in feather capes, some wearing helmet. Another example is "A Man of the Sandwich Islands, with his Helmet" (engraving by John Keyse Sherwin , after Webber's painting, 1778–1784) which has been identified as Kanaʻina ( Kalaimanokahoʻowaha ), who was killed during the altercation.