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Characteristic texture of the Classical period and continued to predominate in Romantic music while in the 20th century, "popular music is nearly all homophonic," and, "much of jazz is also" though, "the simultaneous improvisations of some jazz musicians creates a true polyphony". [4] Homophonic textures usually contain only one PM. [5]
The term lute song is given to a music style from the late 16th century to early 17th century, late Renaissance to early Baroque, that was predominantly in England and France. Lute songs were generally in strophic form or verse repeating with a homophonic texture.
A homophonic texture may be homorhythmic, which means that all parts have the same rhythm. [5] [6] Chorale texture is another variant of homophony. The most common type of homophony is melody-dominated homophony, in which one voice, often the highest, plays a distinct melody, and the accompanying voices work together to articulate an underlying ...
In music, homorhythm (also homometer) is a texture having a "similarity of rhythm in all parts" [2] or "very similar rhythm" as would be used in simple hymn or chorale settings. [3] Homorhythm is a condition of homophony. [2] All voices sing the same rhythm. This texture results in a homophonic texture, which is a blocked chordal texture.
The term lute song is given to a music style from the late 16th century to early 17th century, late Renaissance to early Baroque, that was predominantly in England and France. Lute songs were generally in strophic form or verse repeating with a homophonic texture. The composition was written for a solo voice with an accompaniment, usually the lute.
4 characterized by uniform movement in sixteenth notes, a mostly homophonic texture, even rhythms, and a generally restrained mood. Courante or Corrente: A courante is a highly structured French dance in 3 2 time featuring polyphonic textures, characteristic hemiola effects implying 6
Local details in texture and counterpoint often directly relate to the syntactic effect of the text, like the sudden expanse of homophonic harmonies during "solemni plena gaudio". Following this moment comes "coelestia, terrestria...," while the vocalists join in climbing melodic lines and dense syncopation.
Barbershop harmony is a style of unaccompanied vocal music characterized by consonant four-part chords for every melody note in a predominantly homophonic texture. Each of the four parts has its own role: the lead sings the melody, with the tenor harmonizing above the melody, the bass singing the lowest harmonizing notes, and the baritone completing the chord.