Search results
Results from the WOW.Com Content Network
Cupid and Psyche is a rich source for scenarios, and several artists have produced cycles of works based on it, including the frescoes at the Villa Farnesina (ca. 1518) by Raphael and his workshop; frescoes at Palazzo del Tè (1527–28) by Giulio Romano (painter)Giulio Romano; engravings by the "Master of the Die" (mid-16th century); and ...
It represents the god Cupid in the height of love and tenderness, immediately after awakening the lifeless Psyche with a kiss. The story of Cupid and Psyche is taken from Lucius Apuleius' Latin novel The Golden Ass, [2] and was popular in art. Joachim Murat acquired the first or prime version (pictured) in 1800.
The daughter of a King and Queen, Psyche was born with beauty that led to men worshipping her. This angered Venus, Cupid's mother and Goddess of Beauty. She sent Cupid to prick her with his arrow, forcing her to fall in love with a hideous creature as revenge. Instead, Cupid scratches himself with his own arrow and falls in love with Psyche.
"The Earthly Paradise" by William Morris is an 1868 poem retelling the story of Psyche and Cupid and other myths. "Ode to Psyche" poem by John Keats in 1819 in which the narrator shares his plans to resurrect Psyche. Psyche In A Dress by Francesca Lia Block was published in 2006 as a contemporary retelling of the Psyche myth in poetic prose.
The relationship depicted in this painting between Cupid and Psyche is inspired by the narrative of the Latin poet Apuleius in The Golden Ass, and was a subject that repeatedly inspired neoclassical painters, sculptors and writers of the late 18th and the early 19th centuries. The gestures of Eros, the god of love, remain measured, almost ...
Articles relating to Cupid and Psyche, a story originally from Metamorphoses (also called The Golden Ass), written in the 2nd century AD by Apuleius.The tale concerns the overcoming of obstacles to the love between Psyche and Cupid (also known as Eros), and their ultimate union in a sacred marriage.
The god Cupid would visit his lover Psyche only at night, and forbade her to look at him. The painting shows Psyche, seated at right in a white garment, waiting for her two sisters along with various nymphs at the palace of Cupid, where she shows the gifts she has received from her lover. The two envious sisters persuade Psyche to reveal her ...
The following decade was extremely productive, [8] beginning works such as Hercules and Lichas, Cupid and Psyche, Hebe, Tomb of Duchess Maria Christina of Saxony-Teschen, and The Penitent Magdalene. [18] In 1797, he went to Vienna, [19] but only a year later, in 1798, he returned to Possagno for a year. [8] [note 1]