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Frocio, a translation of faggot. accidenti [attʃiˈdɛnti]: literally "accidents"; used in the same context of English "damn", either as an exclamation of something gone wrong, or to wish harm (accidents) on someone (ex. "accidenti a lui", which can be translated as "damn him"). [2] arrapare: sexually arouse someone. [3] arrapato: aroused ...
A 2010 analysis indicated that French to English translation is relatively accurate, [139] and 2011 and 2012 analyses showed that Italian to English translation is relatively accurate as well. [ 140 ] [ 141 ] However, if the source text is shorter, rule-based machine translations often perform better; this effect is particularly evident in ...
Italian term Literal translation Definition Campana: bell: A bell used in an orchestra; also campane "bells" Cornetto: little horn: An old woodwind instrument Fagotto: bundle: A bassoon, a woodwind instrument played with a double reed Orchestra: orchestra, orig. Greek orkesthai "dance" An ensemble of instruments Piano(forte) soft-loud: A ...
Ciao (/ tʃ aʊ / CHOW, Italian: ⓘ) is an informal salutation in the Italian language that is used for both "hello" and "goodbye". Originally from the Venetian language , it has entered the vocabulary of English and of many other languages around the world.
Dado (in Italian meaning 'dice') Fresco (Italian: affresco from the expression a fresco) Gesso; Graffiti (Italian: graffito, pl. graffiti) Grotto (in Italian grotta, meaning 'cave') Impasto; Intaglio; Loggia (from French loge) Madonna (in Medieval Italian meant Lady, in Modern Italian indicates Mary the Virgin) Magenta (after the Italian town)
Sprezzatura ([sprettsaˈtuːra]) is an Italian word that refers to a kind of effortless grace, the art of making something difficult look easy, or maintaining a nonchalant demeanor while performing complex tasks. The term is used in the context of fashion, where classical outfits are purposefully worn in a way that seem a bit off, as if the ...
" Nessun dorma" (Italian: [nesˌsun ˈdɔrma]; English: "Let no one sleep") [1] is an aria from the final act of Italian composer Giacomo Puccini's opera Turandot (text by Giuseppe Adami and Renato Simoni) and one of the best-known tenor arias in all opera.
"Santa Lucia" (Italian: [ˈsanta luˈtʃiːa], Neapolitan: [ˈsandə luˈʃiːə]) is a traditional Neapolitan song. It was translated by Teodoro Cottrau (1827–1879) from Neapolitan into Italian and published by the Cottrau firm, as a barcarola, in Naples in 1849, during the first stage of the Italian unification. Significantly, it is the ...