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Ludwig van Beethoven's Symphony No. 1 in C major, Op. 21, was dedicated to Baron Gottfried van Swieten, an early patron of the composer. The piece was published in 1801 by Hoffmeister & Kühnel of Leipzig. It is not known exactly when Beethoven finished writing this work, but sketches of the finale were found to be from 1795.
Symphony No. 1 (Beethoven) in C major (Op. 21) by Ludwig van Beethoven, 1795–1801; Symphony No. 1 (Ben-Haim) by Paul Ben-Haim, 1939–1940; Symphony No. 1 (Bernstein) (Jeremiah) by Leonard Bernstein, 1942; Symphony No. 1 (Berwald) in G minor (Sérieuse) by Franz Berwald, 1842; Symphony No. 1 (Brahms) in C minor (Op. 68) by Johannes Brahms ...
Ludwig van Beethoven: Symphony No. 1, Op. 21 (1795–1800) Victor Bendix: Symphony No. 1 "Fjældstigning" , Op. 16 (1882) Franz Berwald: Symphony No. 3 "Singulière" (1845) Georges Bizet: Symphony in C major (1855) Roma Symphony (1866-75) Luigi Boccherini: Symphony in C major, G. 495, Op. 21 No. 3 (1775) Symphony in C major, G. 505, Op. 12 No ...
Symphony No. 1 in C major may refer to: Symphony No. 1 (Balakirev) Symphony No. 1 (Beethoven) Symphony No. 1 (Michael Haydn) See also. Symphony in C (Bizet)
The key of C minor was, like most other minor keys, associated with the literary Sturm und Drang movement during the Classical period. But ever since Ludwig van Beethoven's famous Symphony No. 5, Op. 67, of 1808, C minor imparts a symphony in the key a character of heroic struggle.
Piano Sonata No. 21 (Beethoven) Piano Sonata, WoO 51 (Beethoven) Piano Trio in C major (Sibelius) Piano Trio No. 2 (Brahms) Piano Trio No. 5 (Mozart) Piano Trio No. 43 (Haydn) Polonaise in C (Beethoven) Pomp and Circumstance Marches; Popoli di Tessaglia! Prelude and Fugue in C major, BWV 531; Prelude and Fugue in C major, BWV 846
Although this was Beethoven's first piano concerto to be published, it was actually his third attempt at the genre, following an unpublished piano concerto in E-flat major of 1784 and the Piano Concerto No. 2. The latter was published in 1801 in Leipzig after the Piano Concerto No. 1, but was composed over a period of years, perhaps beginning ...
Quasi allegro (C minor, with a trio in C major), 3 4; Finale. Prestissimo (C minor, concluding in C major), 2 2; Unlike the other piano trios in this opus, the third trio does not have a scherzo as its third movement but a minuet instead. This third piano trio was later reworked by Beethoven into the C minor string quintet, Op. 104. [4]
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