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The ukiyo-e print was a commercial art form, and the publisher played an important role. [186] Publishing was highly competitive; over a thousand publishers are known from throughout the period. The number peaked at around 250 in the 1840s and 1850s [ 187 ] —200 in Edo alone [ 188 ] —and slowly shrank following the opening of Japan until ...
Ukiyo-e art flourished in Japan during the Edo period from the seventeenth to nineteenth centuries. The art form took as its primary subjects courtesans, kabuki actors, and others associated with the ukiyo "floating world" lifestyle of the pleasure districts. Alongside paintings, mass-produced woodblock prints were a major form of the genre. [1]
Yoshitoshi has widely been recognized as the last great master of the ukiyo-e genre of woodblock printing and painting. He is also regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese ...
Shunshō was an artist of ukiyo-e, a style of woodblock prints and paintings that Hokusai would master, and head of the so-called Katsukawa school. [5] Ukiyo-e, as practised by artists like Shunshō, focused on images of the courtesans and kabuki actors who were popular in Japan's cities at the time. [7]
Uki-e (浮絵, "floating picture", implying "perspective picture") refers to a genre of ukiyo-e pictures that employs western conventions of linear perspective. Although they never constituted more than a minor genre, pictures in perspective were drawn and printed by Japanese artists from their introduction in the late 1730s through to the mid ...
Nowadays, Kunisada is again well-regarded as one of the main masters of the ukiyo-e art: Kunisada became a leading artist of the ukiyo-e school at an early age thanks to his amazing skill in capturing the likeliness of kabuki actors, creating must-have souvenirs for their legions of fans.
Toyoharu was the first to make the landscape a subject of ukiyo-e art, rather than just a background to figures and events. By the 1780s he had turned primarily to painting. The Utagawa school of art grew to dominate ukiyo-e in the 19th century with artists such as Utamaro, Hiroshige, and Kuniyoshi.
Hishikawa Moronobu (Japanese: 菱川 師宣; 1618 – 25 July 1694) [1] was a Japanese artist known for popularizing the ukiyo-e genre of woodblock prints and paintings in the late 17th century. [2] He consolidated the works of scattered Japanese art styles and forged the early development of ukiyo-e.