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Pasquale Amato (21 March 1878 – 12 August 1942) was an Italian operatic baritone. Amato enjoyed an international reputation but attained the peak of his fame in New York City, where he sang with the Metropolitan Opera from 1908 until 1921.
This is a list of the singers, conductors, and dancers who have appeared in at least 100 performances at the Metropolitan Opera, last updated March 17, 2024.Performers are listed by the number of the performances they have appeared in as found at the Metropolitan Opera Archives. [1]
baritone: Pasquale Amato: Roxane, Cyrano's cousin, in love with Christian: soprano: Frances Alda: Christian, a Gascony cadet in love with Roxanne: tenor: Riccardo Martin: Ragueneau, owner of a pastry shop in Paris: tenor Albert Reiss: Lise, Ragueneau's wife: soprano Vera Curtis: Duenna, Roxane's chaperone: contralto: Marie Mattfeld: De Guiche ...
The composer wrote the music for Johnson with Caruso's voice specifically in mind. Appearing with Caruso were two more of the Met's star singers, the Czech soprano Emmy Destinn and baritone Pasquale Amato. Toscanini, then the Met's principal conductor, presided in the orchestra pit and Puccini himself, supervised the production.
Nils Olov Håkan Hagegård (born 25 November 1945) [1] [2] is a Swedish operatic baritone. He also performs lieder and has held academic positions in the United States, Norway, and Sweden. Early life and education
At this time the Metropolitan Opera's leading baritone, Pasquale Amato, was in decline. Danise received a letter from Giulio Gatti-Casazza, then the general manager of the company. Danise made his debut at Metropolitan Opera in the role of Amonasro in Aida.
Actor Nick Pasqual has been charged in the brutal stabbing of Allie Shehorn, a Hollywood makeup artist and Pasqual's alleged ex-girlfriend. Shehorn has done makeup for hit projects like Rebel Moon ...
Drawing for Don Pasquale (1954) At its on 3 January 1843 premiere in Paris, Don Pasquale was performed by four of the most celebrated singers of the day [11] and was an immediate success. [12] [13] It was recognized at the time as Donizetti's comic masterpiece [14] and, to this day, is still considered as such.