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"Arthur McBride" – an anti-recruiting song from Donegal, probably originating during the 17th century. [1]"The Recruiting Sergeant" – song (to the tune of "The Peeler and the Goat") from the time of World War 1, popular among the Irish Volunteers of that period, written by Séamus O'Farrell in 1915, recorded by The Pogues.
The following is a partial list of musical artists who have released songs in the Irish language. Aeons; Altan [1] Muireann Nic Amhlaoibh [2] Anúna [3] Autamata; The Irish Roots Cafe house band; Bell X1; Wallis Bird; Des Bishop; Blink; Luka Bloom; Ross Breen; Moya Brennan [4] Kate Bush; Paddy Casey; The Chieftains [5] Clannad [6] Clann Zú ...
The six Celtic nationalities are divided into two musical groups, Gaelic and Brythonic, [1] which according to Alan Stivell differentiate "mostly by the extended range (sometimes more than two octaves) of Irish and Scottish melodies and the closed range of Breton and Welsh melodies (often reduced to a half-octave), and by the frequent use of the pure pentatonic scale in Gaelic music".
This upbeat song by Irish band, The Corrs, landed on the Billboard Hot 100 in 2001 and remains a popular radio staple with its infectious beat and ear-worm lyrics.
Gaelic music (Irish: Ceol Gaelach, Scottish Gaelic: Ceòl Gàidhealach) is an umbrella term for any music written in the Gaelic languages of Irish and Scottish Gaelic. [1] To differentiate between the two, the Irish language is typically just referred to as "Irish", or sometimes as "Gaeilge" (pronounced "gehl-guh"); Scottish Gaelic is referred to as "Gàidhlig" (commonly pronounced as "GAH-lick").
Irish home: Limerick The band's run: 1989-2003, 2009-2019 What you'll hear: Opening on slightly distorted acoustic guitar, this track from 1999's "Bury the Hatchet" does what the best Cranberries ...
Download as PDF; Printable version; In other projects Wikidata item; ... Pages in category "Irish folk songs" The following 154 pages are in this category, out of 154 ...
Irish dance music is isometric and is built around patterns of bar-long melodic phrases akin to call and response.A common pattern is A Phrase, B Phrase, A Phrase, Partial Resolution, A Phrase, B Phrase, A Phrase, Final Resolution, though this is not universal; mazurkas, for example, tend to feature a C Phrase instead of a repeated A Phrase before the Partial and Final Resolutions, for example.